28 May 2025

Theopoetic Fields: A Relational Ontology of Dream, Devotion, and the Sacred

1 What Is Sacred in a Relational Universe?

Reframing sanctity as a semiotic field of potential

In many traditions, the sacred is imagined as a realm apart — something absolute, immutable, or otherworldly. It is often defined by its inaccessibility: a holy essence that precedes all relation. But what happens when we begin, not with essence, but with relation?

In this series, we offer a relational-semiotic reframing of the sacred — not as a substance or transcendental being, but as an emergent quality of patterned meaning. From this perspective, sanctity arises not from the nature of a thing in itself, but from how it is positioned in the shared field of attention and value.

In other words: the sacred is not discovered; it is constituted.


The Sacred as Meaning Potential

In a relational ontology, there are no isolated entities. Everything that appears — whether object, idea, or emotion — is always already in relation: configured in a field of meaning. Semiotic systems (such as language, ritual, or myth) do not simply describe the world — they shape how meaning can emerge.

Within this model, the sacred names a zone of intensified potential — a dense node of meaning charged with affect, memory, significance. It’s not something over and above human experience; rather, it’s a configuration of experience that invites reverence, hesitation, care.

This does not reduce the sacred to projection. Instead, it recognises that sanctity is always co-constituted — it emerges through acts of attention, valuation, and symbolic participation. A place becomes sacred when we treat it as such. A text becomes scripture when a community patterns itself around its meanings.


A Semiotic Threshold

What distinguishes the sacred from the profane, in this view, is not substance but pattern — the degree to which something is embedded in dense relational networks of meaning and value.

  • A shrine is sacred not because of its material but because of its position in a system of signs.

  • A name becomes holy not because of its phonemes but because of the invocations and silences that surround it.

  • A gesture becomes a blessing not by its mechanics but by the relational space it enacts.

The sacred, then, is a semiotic threshold — a liminal zone where meaning is charged, concentrated, and held apart. It marks where potential thickens, where attention slows, where acts become weighted with symbolic depth.


Awe as an Ontological Signal

Awe, reverence, and even fear often accompany encounters with the sacred. In our relational framing, these are not emotional by-products but ontological signals: they alert us to a shift in the density of the meaning field. They arise when we stand at the edge of what can be known, named, or integrated — when the symbolic system trembles under the weight of the potential it has evoked.

This is why the sacred so often invites paradox: it cannot be fully possessed, yet it draws us closer. It is both near and far, intimate and strange. It exceeds our grasp not because it is beyond language, but because it overloads language with too much significance.


Consecration as Meaning Practice

To make something sacred is not to separate it from life, but to bind it more deeply into the web of relation. In this view, consecration is not a one-time act but an ongoing practice of meaning: of holding something with care, treating it as irreplaceable, orienting ourselves around its significance.

Whether it’s a forest, a river, a word, or a silence — what becomes sacred is what we place in a space of relational attunement.


Toward a Theopoetic Field

This series begins from the premise that the sacred is not out there waiting to be discovered. It is here, in the field of relation, always already possible — if we learn how to see, name, and hold it.

In the posts that follow, we will explore how this field of sacred potential plays out in dreams, language, archetypes, and acts of devotion. We will treat the sacred not as a relic of the past, but as a living possibility — one we co-create through the ongoing dance of meaning and relation.

2 The Threshold of the Dream: Latent Patterning in the Unconscious

Dreams as fields of semiotic potential in a relational cosmos

Dreams often feel like transmissions from elsewhere — fleeting, symbolic, deeply personal yet uncannily universal. In many traditions, they are portals to the sacred: encounters with spirits, ancestors, gods, or the unconscious depths of the self. But in a relational-semiotic ontology, what exactly is a dream?

In this post, we explore dreaming not as a journey into another world, but as a mode of semiotic unfolding — one in which the constraints of waking life are loosened, and new configurations of meaning are allowed to form. Dreams are not messages to be deciphered from some hidden source. They are fields of latent potential, actualised in the semiotic space of the dreamer.


Dreaming as Semiotic Improvisation

In waking life, meaning is tightly bound by context: grammar, habit, expectation, social cue. But in dreaming, these constraints are softened. The systems that regulate coherence are loosened — and with them, new combinations, analogies, and disjunctions become possible.

From the perspective of our relational ontology, dreams are not nonsensical or random. They are configurations in symbolic attractor space — patterns of meaning potential coalescing in ways that do not conform to linear logic, but still follow an inner topology of association and affect.

To dream, then, is to play within the plasticity of a semiotic system — to let meanings unmoor, recombine, and re-emerge in new relational constellations.


The Unconscious as a Relational Field

Freud framed the unconscious as a repressed realm, Jung as a collective reservoir of archetypes. We suggest another angle: the unconscious as a field of potential meanings, shaped by the history of selections made in the neural and semiotic orders.

In this view, the unconscious is not hidden content but unactualised patterning. It is the attractor space left behind by prior meanings — the traces of experience, the repetitions of affect, the sedimented weight of culture. Dreams give form to these potentials, bringing forth configurations that have not yet stabilised in waking life.

The unconscious, then, is not an inner chamber — it is a relational topology, a memory of past selections and a forecast of emergent possibilities.


Symbols That Precede the Self

Dream symbols are often enigmatic. But in our framework, they do not represent fixed ideas. Instead, they instantiate dense clusters of shared meaning potential — attractors that draw the dreamer into a dance of association and affect. These symbols are not personal inventions; they are semiotic structures older than the individual.

When we dream of a serpent, a threshold, or a falling sky, we are not accessing a private code but touching something collective — a shared symbolic affordance woven into the cultural and biological history of meaning-making.

To dream is to participate in a symbolic ecology that exceeds the self — one that is neither entirely internal nor external, but relational.


The Sacred Logic of the Dream

Dreams are not sacred because of their content alone. They are sacred because of the space they open: a threshold where language begins to unmake and remake itself, where the known is suspended, and where meaning is held in tension rather than resolved.

This is why dreams have been ritualised in so many cultures — not as puzzles to solve, but as events to enter. The dream is not a message; it is a semiotic encounter. It draws us toward what exceeds our current frame of reference and invites us to reconfigure.

And this, in our model, is the sacred at work: not the transmission of absolute truth, but the activation of symbolic potential.


Cultivating the Dreaming Mind

To engage the sacred field of the dream is to cultivate a kind of listening — a receptivity to what has not yet become fully formed. This is not interpretation in the usual sense. It is a practice of attention: an openness to pattern, resonance, and relational depth.

In this way, dreaming becomes a kind of devotion — a nightly descent into the field of possibility, where meanings seek form and the self is reshaped by what it cannot yet understand.

In the next post, we’ll explore this further through the lens of archetypes — not as eternal forms, but as fields of attractor density in the symbolic order.

3 Archetypes as Fields: From Eternal Forms to Semiotic Attractors

Rethinking the archetypal in a relational-semiotic cosmos

In Jungian thought, archetypes are often described as timeless patterns — innate structures of the psyche, shared across cultures and inherited from a collective unconscious. They shape our myths, our dreams, our dramas. But what happens if we reimagine archetypes not as fixed forms, but as relational attractors — dynamic configurations in a field of meaning?

In this post, we reframe archetypes not as pre-existent templates, but as zones of heightened semiotic density. They are not eternal truths but cultural-semiotic formations, stabilised through repetition across many acts of meaning-making. Their power lies not in their fixity, but in their capacity to pattern interpretation across vastly different contexts.


Archetypes as Dense Relational Patterns

In our ontology, there are no absolute forms — only systems of potential and the instances that realise them. What we call an archetype is not an essence but a recurring pattern of relational configuration. It is a site in the meaning system where many instances have gathered — forming a gravitational centre in symbolic attractor space.

An archetype, then, is a statistical density of co-selections: a repeatedly instantiated configuration that has acquired symbolic mass. The Mother, the Trickster, the Hero — these are not universal blueprints but field effects, shaped by the historical and cultural trajectories of meaning across time.

They feel powerful because they reverberate — because they draw from a deep well of past instantiations.


Instantiation and Collective Selection

Every symbolic act — whether dream, story, ritual, or painting — selects from meaning potential and adds to the history of those selections. When a particular configuration is selected repeatedly, across different contexts and with varying instantiations, it becomes increasingly probable in future selections.

This is what gives archetypes their force: they are familiar not because they are known, but because they have been selected before. They are fields with high attractor strength. In our model, they are not innate ideas but emergent phenomena, crystallised from the collective semiotic process of a culture.

They are not inside us; they are between us — relational stabilisations that gain coherence through use.


Archetypes and the Sacred

Archetypes often appear as sacred figures — gods, ancestors, heroes, spirits. Their numinous quality does not derive from metaphysical status, but from their semiotic position. They are located at the crossing points of many strands of meaning: mythic, emotional, cultural, historical.

They are knots in the web where potential thickens.

To encounter an archetype is to enter a zone of symbolic overdetermination — a place where many meanings converge and exceed our capacity to fully resolve them. This excess is what marks them as sacred. They are generative ambiguities: structures that both constrain and multiply meaning.


Living Fields, Not Static Forms

Reframing archetypes as relational attractors allows us to see them as dynamic and evolving. They are not fixed scripts, but open fields — always being rewritten by new instantiations. As cultures change, so do the configurations of meaning that sustain their archetypes. The Hero of one age becomes the Antihero of another. The Mother becomes Monster, or Saint, or Sovereign.

In this sense, archetypes are living systems, continually being shaped by the acts of meaning that invoke them.


Devotion to Patterned Possibility

Rather than venerating archetypes as eternal truths, we might approach them as fields of sacred possibility — ways of configuring meaning that have become dense with value and resonance. To work with archetypes, then, is not to submit to a pre-existing form, but to navigate a richly patterned space with care, attention, and symbolic skill.

In the next post, we will explore what it means to enter this space intentionally — not through dreams or myths, but through ritual and devotion: semiotic practices that enact, sustain, and transform the sacred.

4 Ritual and the Tending of Sacred Fields

Devotion as a practice of symbolic actualisation

If dreams are thresholds and archetypes are attractors, then rituals are the pathways by which we enter and navigate the semiotic field of the sacred. Across cultures and traditions, rituals provide form for the formless, grounding symbolic excess in patterned action. But what are rituals doing, in a relational-semiotic ontology?

In this post, we explore ritual not as the enactment of divine decree nor the reenactment of fixed myth, but as a semiotic operation: a way of selecting, stabilising, and actualising potential meaning in the sacred field. Rituals are how we tend the attractor space — how we participate in the relational ecology of meaning.


Ritual as Relational Activation

From a relational standpoint, a ritual is never just a performance or a symbolic gesture. It is a field event — a convergence of bodies, symbols, gestures, materials, and histories. Its meaning emerges not from any single element, but from the configuration of relations among them.

Every ritual act is an instance — an actualisation of cultural meaning potential. But it is also a contribution to that potential: each enactment subtly reshapes the attractor field for future instances. Rituals, then, are not repetitions of sameness. They are iterative selections, each one adjusting the field.

To participate in ritual is to become a co-selector in the sacred system.


Enacting Symbolic Densities

Rituals often make use of archetypal figures, sacred texts, gestures, or artefacts. These are not sacred in themselves, but because they concentrate meaning. They are loci of semiotic density, charged through countless previous instantiations. A cross, a chant, a circle of stones — these are not inherently potent; they draw their potency from the history of use.

When we engage with them ritually, we are not just symbolising — we are activating relational fields. The meaning of the act emerges from the entire ecology: the participant’s orientation, the cultural lineage, the context of the moment, the reverberations of prior meanings.


Devotion as Semiotic Attunement

To be devoted is not simply to believe. It is to enter into a patterned relation with the sacred — to orient one’s life, affect, and perception around certain symbolic constellations. Devotion is a mode of attunement: a sustained openness to the resonance of a particular attractor field.

In our ontology, devotion is not submission to authority, but participation in semiotic selection. It is a way of stabilising value in a world of flux — not by clinging to certainty, but by repeating meaningful patterns in a way that sustains the sacred field.

This is why devotional practices can be both highly individual and deeply collective — they are acts of co-actualisation in a shared symbolic topology.


Ritual as Meaning-Making in Motion

Rituals do not fix meaning once and for all. Rather, they hold it in play. They are metastable structures: flexible enough to adapt, stable enough to orient. In this sense, ritual is a kind of semiotic scaffolding — a way to build relational coherence around moments of excess, transition, or transformation.

A funeral, a fast, a festival — each is a response to meaning’s volatility. Ritual provides a frame that lets us encounter the sacred without being overwhelmed, a grammar for experiences that would otherwise exceed language.


Toward a Living Semiotics of the Sacred

We might then think of ritual not as a remnant of an archaic past, but as a mode of ongoing world-making. Through ritual, we do not merely express belief — we pattern being. We shape the symbolic ecology in which meaning unfolds.

In the next post, we turn to the figure of the mystic and the poet — those who walk the edges of this ecology, not to stabilise it, but to expand its possibilities. What does it mean to enter the sacred field not to repeat, but to transform?


5 The Mystic and the Poet: Edgewalkers of the Sacred Field

Creativity, liminality, and the expansion of symbolic space

Where the priest sustains and the devotee attunes, the mystic and the poet move differently. They do not stabilise the sacred field — they disturb it. They walk at the edges of symbolic order, where patterns are less certain and meaning is still taking shape. In our relational ontology, they are not merely figures of inspiration or madness — they are edgewalkers: agents of semiotic transformation.

In this post, we explore how mystics and poets open new attractor spaces, reconfigure old ones, and dwell in states of symbolic liminality — places where meaning is fluid, multiple, and generative.


Liminality and the Threshold of Pattern

The mystic and the poet are drawn to the edges of intelligibility — to what lies just beyond the stable forms of ritual and archetype. In our ontology, these edges are not margins of irrelevance, but zones of potential. They are where the system is most open, most sensitive to new instantiations.

This is the space of the dream before it crystallises, the gesture before it becomes a ritual, the metaphor before it settles into myth. It is a place of risk and revelation — where meaning is not yet certain, and therefore alive.

To walk these edges is to court destabilisation. But it is also to hold open the possibility of transformation.


Semiotic Innovation: Language as Threshold

Poets live in language, but not in its ordinary uses. They stretch it, fracture it, reassemble it. In doing so, they reconfigure the meaning potential of a language system. Their metaphors and rhythms do not just decorate thought; they extend the topology of the semiotic field.

Mystics, likewise, speak from the limits of speech — in paradoxes, negations, symbols that exceed fixed referents. Their language points not to another world, but to another relation to this one: a mode of knowing that disrupts the usual subject-object configuration.

In both cases, the act of expression is not a report of the sacred — it is the event of its emergence.


Theopoesis: Making the Sacred Anew

In walking these edges, mystics and poets perform what we might call theopoesis: the creation (or recreation) of the divine in symbolic form. Not in the sense of inventing gods or doctrines, but of reweaving the field — generating new constellations of meaning that allow the sacred to be felt, named, and shared in new ways.

The mystic’s vision and the poet’s metaphor are semiotic mutations. They may not take root in the system — but when they do, they open new attractor pathways. A new image of the divine, a new mythic structure, a new devotional possibility. These are not imposed from above; they emerge from within, carried by the symbolic force of instantiation.


Suffering, Silence, and the Risk of Disruption

Edgewalking is not romantic. It often comes with a cost. The mystic may be exiled or misunderstood. The poet may be unread or dismissed. Both risk dissolution — of the self, of coherence, of social acceptance. To dwell in liminality is to lose footing in the known.

And yet, it is in these moments of disorientation that new orderings become possible. The silence of the mystic, the broken line of the poem — these are not failures of meaning. They are its conditions of renewal.


Holding the Field Open

Mystics and poets do not build temples. They open thresholds. They create the conditions for sacred encounter without closure — for experiences that transform without resolving. In doing so, they keep the sacred field alive and mobile, preventing it from hardening into doctrine or clichĂ©.

In the final post, we turn to this movement itself — not as a figure, but as a principle: sacred dynamism, the continual unfolding of meaning through relational selection. What does it mean to live within such a field — not as mystic or poet alone, but as meaning-makers in a relational cosmos?

6 The Sacred in Motion: Living Within a Theopoetic Field

Dynamism, relation, and the unfolding of symbolic reality

Throughout this series, we’ve explored the sacred not as a fixed object or domain, but as a relational field — one that is continually shaped and reshaped by the patterns of our symbolic engagement. Dreams, archetypes, rituals, and poetic thresholds are not routes to a hidden divine essence. They are ways of participating in the becoming of the sacred.

This final post is about that becoming: the sacred not as static presence but as dynamism — the continual unfolding of value and meaning through the flux of relations.


A Field of Potentials

In our ontology, meaning is never “out there” waiting to be discovered. It is co-actualised — emerging at the intersection of subjectivities, histories, gestures, and signs. The sacred is not a substance. It is a quality of relation — a resonance that arises when symbolic configurations align in ways that feel charged, necessary, and alive.

This means that the sacred is never finished. It is potential that calls for actualisation, and actualisation that reshapes potential. Every dream, every ritual, every poem or prayer contributes to the shape of the field.

We are not simply observers of the sacred. We are its co-articulators.


Meaning as Metastable

Rather than fixity or flux, the sacred field offers metastability — a delicate balance between pattern and possibility. Rituals stabilise meaning without freezing it. Myths structure it without closing it. Mystics and poets destabilise it without destroying it.

To live in a theopoetic field is to dwell in this balance — to become attuned to symbolic rhythms, responsive to shifts, and open to transformation. It is to live as a participant in meaning’s movement, rather than a consumer of its products.


Sacred Agency: Selection as Devotion

If the sacred field is shaped by relational selection, then every choice of symbol, every gesture of attention, every act of meaning-making becomes a sacred act. Not because it adheres to doctrine, but because it shapes the field.

This refigures agency. We are not autonomous egos imposing order. We are nodes of selection in a larger semiotic ecology. Our agency is distributed, emergent — and no less powerful for that. In a relational cosmos, every act of care, every act of creation, is a contribution to the shared unfolding of value.

This is devotion redefined — not as obedience, but as symbolic responsibility.


The Sacred as Field-Effect

So what is the sacred, finally?

Not a realm apart, nor a quality possessed by special things. The sacred is a field-effect — something that arises when relations form certain patterns of intensity, resonance, and depth. It is what happens when the world feels more than it is, and we are more than ourselves.

To live within such a field is not to grasp it, but to tend it: to move with symbolic care, to listen for resonances, to remain open to the transformations that edgewalkers bring.


Conclusion: Meaning as a Shared Creation

Theopoetic fields are not systems to be explained, but ecologies to be lived. They invite us to see meaning not as property or product, but as a living process. In this light, every culture, every ritual, every myth is a local inflection of a shared human capacity: to shape symbolic space in ways that bring depth, coherence, and transformation.

And in the space between the patterned and the possible — between dream and discourse, ritual and rupture — we continue to co-create the sacred.

The field is never closed.

27 May 2025

Living Patterns: A Relational Ontology of Myth and the Hero’s Journey

1 Myth as Meaning System — A Relational Perspective

In the modern world, myth is often equated with falsehood — something to be outgrown, corrected, or left behind. But for thinkers like Joseph Campbell, myth was anything but obsolete. It was a living system of symbolic guidance — a map of inner transformation and existential orientation. The hero’s journey, in his view, was not a literal tale but a metaphor for the process of becoming.

From our perspective — grounded in a relational ontology — we take up this invitation not to abandon myth, but to rethink its logic.

In place of a cosmology of eternal archetypes or a history of symbolic transmission, we offer a view of myth as a semiotic field: a space of meaning potential structured by patterns of relation. In this light, myth is not merely a story told, but a system of possible meanings — an attractor landscape within which selves can move, transform, and emerge.

The Mythic Field as Relational Semiotic

In a relational ontology, nothing exists in isolation. Meaning arises from patterned relations, not from fixed entities or intrinsic essences. A self is not a unitary object but a temporary configuration in an ongoing process of individuation. Similarly, myth is not a container of truths, but a structured space in which potential meanings are patterned, selected, and actualised through use.

Campbell spoke of myth as the “secret opening through which the inexhaustible energies of the cosmos pour into human cultural manifestation.” But from a relational view, this pouring is not from outside in — it is the activation of meaning potential within a semiotic system. Myth does not represent reality — it construes it, enacting patterns of possibility that resonate within a collective field of meaning.

Myth as Attractor System

In this view, myth functions as an attractor in the semiotic dynamics of identity. It shapes trajectories of becoming, drawing subjectivities toward particular transformations. The hero’s journey is one such attractor — a stabilised pattern that guides an unfolding of the self through crisis, reconfiguration, and return.

But unlike a mechanical path, this is not a universal template to be imposed. It is a relational affordance: a potential that may be instantiated in different ways by different selves, in different cultural settings, and under different conditions of meaning. Its power lies not in prescription but in resonance.

This shift — from myth as message to myth as field — allows us to ask new questions:

  • What does it mean to enter a mythic space?

  • How does a symbolic structure shape the phase space of the self?

  • In what sense is myth not just about the world, but of the world — an expression of its relational structure?

Reframing the Journey

Throughout this series, we’ll explore the mythic through the lens of relational individuation. We’ll follow the movements of the self across attractor thresholds, through dissolution and reformation, and into cultural reintegration. We’ll examine archetypes as semiotic functions rather than fixed types, and view mythic transformation not as escape from reality, but as a deepening of the patterns that make life meaningful.

In doing so, we hope to reanimate Campbell’s vision while offering a reframing that places the logic of myth not in the past, but in the field of the possible — a space where meaning unfolds through relation, and where the stories we inherit are not answers, but potentials to be lived.


2 The Hero as Function — Archetypes and the Dynamics of Meaning

What is a hero? A warrior? A saviour? A seeker?

In the mythologies of the world, the hero appears in countless guises — from trickster to redeemer, from reluctant wanderer to luminous sovereign. Joseph Campbell famously distilled these diverse figures into a single arc: the hero’s journey, a universal pattern of departure, ordeal, and return. But how should we understand this figure — not as a personality type or a historical role, but as a relational function?

In this post, we explore the hero not as an individual, but as a semiotic attractor: a patterned function in the symbolic dynamics of meaning.

Archetypes as Semiotic Attractors

Campbell drew on Jung’s notion of the archetype — not as a fixed symbol or inherited image, but as a psychic structure that shapes the form of experience. In our relational model, we reframe the archetype as a semiotic affordance: a set of possibilities made available within a cultural field of meaning.

Archetypes are not things we carry in our heads. They are patterns that emerge in systems of meaning — functional nodes that guide perception, identity, and narrative across many instances. The hero, then, is not an entity but a vector of becoming: a role available to be taken up, actualised, or resisted in different ways depending on context and relation.

Much like a grammatical function (say, “actor” or “goal” in a clause), the hero is a slot in a system — a position within a patterned unfolding. To identify the hero is to name a function in a process, not to describe a person or their traits.

The Hero as Phase Shift

In Campbell’s monomyth, the hero undergoes a transformation: a movement from the known world into the unknown, a descent into chaos, and a re-emergence with new insight or power. Rather than viewing this as a literal journey, we can understand it as a phase transition — a systemic shift in the attractor dynamics of the self.

The call to adventure destabilises the current pattern of identity. The trials of the journey dissolve the self’s coherence. And the return integrates the reconfigured self into a transformed relationship with the social field. These movements are not merely metaphors — they are semiotic transformations. The hero story narrativises the process of individuation.

From a relational perspective, this is not the expression of a pre-existing inner essence. It is the emergence of new patterning through systemic reconfiguration. The hero is the form through which such transformation becomes symbolically available.

Collective Potential, Instantial Actualisation

Archetypes live in the meaning potential of a culture — they are not bound to any one person, story, or performance. But they are actualised through individual texts, actions, and identifications. This is the cline of instantiation: from shared symbolic potential to concrete meaning instance.

When a person steps into the role of the hero — in myth, ritual, or even everyday life — they activate that function within the shared system. The power of the hero is not in the person but in the pattern. It is the recognisability of this transformation, its resonance across contexts, that gives it symbolic force.

This means the hero is not exceptional in a literal sense. The power of the hero lies precisely in generalisation — in its ability to be instantiated again and again in different lives and settings. Its universality is not a biological constant, but a relational capacity — a function that can be mapped onto new configurations of meaning.

From Hero to Meaning-Maker

Reframing the hero as function invites us to shift our focus from content to structure, from character to relation. It also allows us to recognise that the hero’s journey — as Campbell insisted — is not the preserve of mythic figures. It is an invitation to every self, a pattern of potential within the relational dynamics of meaning.

In the next post, we’ll examine the structure of the journey itself — not as a fixed map, but as a patterned unfolding in semiotic phase space, where thresholds are crossed, identities reconfigured, and new attractors emerge.

3 Thresholds and Transformations — The Journey as Semiotic Phase Space

In the mythic tradition, the hero’s journey is charted by thresholds: the crossing into the unknown, the descent into ordeal, the return with the boon. These moments mark structural shifts — not simply changes of scene or event, but transformations of meaning.

In this post, we interpret the hero’s journey as a traversal through semiotic phase space: a landscape of symbolic potential structured by attractors, thresholds, and emergent configurations.

From Path to Pattern

Rather than treating the journey as a sequence of stages — “call to adventure,” “refusal,” “supernatural aid,” and so on — we can view it as a trajectory in relational space. The hero moves not across geography, but through systems of meaning. What shifts is not the outer world alone, but the attractor structure of the self in relation to the symbolic environment.

Each threshold crossed is a transition between semiotic regimes — from the known to the unknown, the familiar to the alien, the coherent to the chaotic. These are phase changes, not merely plot points. They mark moments when the current system of meaning can no longer contain experience, and a new organisation must emerge.

Thresholds as Bifurcation Points

In complexity science, a bifurcation point is a critical juncture where a system reorganises — where a small change in conditions leads to a qualitatively different outcome. Mythic thresholds operate in much the same way.

To step over the threshold is to risk a break in continuity. The crossing is not only symbolic — it is structurally transformative. The self no longer returns to its prior state; the attractor landscape has shifted. A new basin of possibility is entered, and with it, a new pattern of becoming.

The myth dramatises this danger and necessity. Guardians stand at the gate. Trials await on the other side. But these narrative devices symbolise something deeper: the system resists transformation. Meaning resists reconfiguration. And so thresholds are always charged — places of risk, rupture, and potential renewal.

Descent and Disintegration

One of the most recurrent motifs in hero mythology is the descent — into the underworld, the belly of the beast, the dark forest. This is not merely a narrative convention; it marks a disintegration of the previous pattern. In our relational ontology, it is a traversal into unstructured space — a departure from stable attractors into the chaotic.

In this space, roles collapse, identities dissolve, and meaning becomes fluid. It is the phase of depatterning, essential for transformation. Without this loss of structure, no new structure can emerge.

Importantly, this is not annihilation. It is potentialisation — the opening of meaning into a wider field of possible reorganisation. The descent is not the end of the self, but the precondition for its reformation.

Return as Reintegration

The return is not a return to the same world, nor by the same self. It is a recalibration of relations — between self and world, inner and outer, pattern and potential.

If the journey has succeeded, the self now actualises a new configuration. This is symbolised by the “boon” or “elixir” the hero brings back: not just a gift to others, but a repatterning of the cultural system. The individual transformation becomes collective affordance. The attractor is now available for others to instantiate.

This is why mythic journeys matter. They are not escapist fantasies. They are symbolic maps of transformation — stories that help us navigate the dynamics of meaning when life’s systems break down and must be re-formed.

Myth as Semiotic Navigation

Campbell wrote that myths are clues to the spiritual potentialities of the human life. Our relational model reframes this: myths are symbolic topologies of semiotic possibility. They chart the shape of transformation — the shifting fields of identity, agency, and relation.

In the next post, we’ll examine how these symbolic structures become internalised as patterns of subjectivity — and how the self, far from being a fixed centre, emerges as a site of patterned re-entry into the cultural field.

4 The Hero Within — Subjectivity as a Cultural Attractor

In myth, the hero is a liminal figure — both part of the world and apart from it, shaped by culture yet stepping beyond its bounds. But what if the hero is not a person at all? What if the journey is not only external, but internal — a transformation of subjectivity?

In this post, we explore the self as a semiotic configuration: not a stable essence but a relational attractor emerging from collective meaning potential. The hero's journey, in this light, becomes a symbolic model of how selves change — how subjectivity unfolds, dissolves, and re-patterns in the dynamic field of cultural meaning.

Subjectivity as a System of Selection

From the perspective of neuronal group selection, the brain's wiring reflects a history of experience-dependent shaping — patterns of perception and action stabilised through feedback and fit. Consciousness, then, is not a unified entity but a dynamically shifting system of selected patterns.

These patterns do not float in a void. They are shaped by, and responsive to, semiotic systems — language, narrative, gesture, myth. The self emerges at the intersection: a configuration of material and semiotic orders, a site of resonance between biology and culture.

This makes the self not a container, but a process — a semiotic event continually actualising itself within a space of shared potential.

Myth as Subjective Resonance

When Campbell speaks of myth as a mirror of the inner life, he is pointing to this resonance. Myths offer not only external models of action, but internal models of becoming. They configure the landscape of possible selves.

Each archetype, each story-form, is a symbolic attractor — a culturally shared shape that can be taken up, inhabited, or resisted. Through repeated engagement, these forms pattern the inner landscape. The hero, then, is not just a character in a story but a recurring structure of transformation within subjectivity itself.

To "see oneself" in a myth is to align with an attractor — to enter a phase space where new configurations of meaning can emerge.

Individuation as Cultural Recursion

We often imagine individuation as separation — the carving of self from society. But in a relational ontology, individuation is recursive: the self emerges through the cultural field, not apart from it.

Each act of subjectivity — of interpretation, reflection, resistance, or resonance — feeds back into the system. In this sense, the individual is not merely shaped by culture; they also participate in reshaping it, actualising new patterns of meaning that may become attractors for others.

Myth becomes a site of this recursion: a place where culture patterns the self, and the self participates in the ongoing reconfiguration of culture. The hero’s journey is thus a meta-pattern — a fractal structure encoding not a fixed identity, but the dynamism of becoming.

The Inner Journey as Transformation of Potential

To journey inward is to navigate semiotic terrain: to encounter the limits of current patterning and press beyond them. It is not the discovery of a hidden core, but the reconfiguration of what is possible.

This is why the journey so often involves suffering, fragmentation, and loss — because the self, as a system, must sometimes fall apart before it can transform. Myth encodes this principle: it tells us that dissolution is not failure, but a necessary phase in the creation of a new coherence.

And so the hero within is not a singular ego, triumphant and resolved. It is the capacity to cross thresholds of meaning, to engage the unknown, and to participate in the ongoing unfolding of the possible.


In the next post, we turn to the role of myth not just in shaping subjectivity, but in coordinating collective meaning — as a resonant structure that patterns the social field and orients us within shared symbolic space.

5 Myth as Social Syntax — Coordinating Collective Meaning

Myth does not only speak to the individual. It operates in the space between — the cultural membrane where subjectivities converge, align, and diverge. In a relational ontology, myth is not merely a reflection of social life but an active force in coordinating meaning across a community of selves.

This post explores myth as a kind of social syntax: a patterned semiotic system that enables individuals to interpret, align with, or resist shared values and trajectories. Like grammar in language, myth provides the deep structure that organises collective meaning-making.

Meaning as a Shared Field

In systemic-functional terms, meaning is not private but inherently social. Even when internalised, the categories and structures through which we construe experience are drawn from a shared potential — what Halliday calls the meaning potential of the culture.

Myth operates at the deepest layers of this potential, shaping what counts as meaningful in the first place. It provides symbolic scaffolding for existential questions: What is life for? What does it mean to suffer? To succeed? To act well?

These are not universal answers, but culturally patterned orientations — resonant attractors that shape the semantic landscape of a community.

Myth as a System of Alignment

Just as language allows for coordination in action and thought, myth enables alignment in values, roles, and purposes. Through narrative structures and archetypal forms, it provides culturally specific models of:

  • What kinds of lives are admirable

  • What kinds of struggles are meaningful

  • What kinds of transformations are desirable or dangerous

This coordination is not necessarily harmonious. Myths also encode conflict — between roles, between moral codes, between cosmologies. But even here, they provide a symbolic grammar within which those conflicts can be interpreted, enacted, and negotiated.

In this way, myth is not only an aesthetic or spiritual expression; it is a semiotic infrastructure for social life.

Ritual and Reiteration

Ritual is where myth is instantiated — where potential becomes instance. The retelling, re-enactment, and re-embodiment of myth in communal settings allows the shared field of meaning to be periodically recalibrated.

In these moments, individual participants are not simply consuming cultural content. They are re-entering the attractor field, aligning their subjectivity with the resonant patterns of the social whole.

But as with language, each instantiation carries the potential for variation and shift. Through repetition, myths persist; through difference, they evolve. Meaning is not static, but a dynamic interplay between inherited patterns and their lived re-enactment.

The Hero as Social Role

If myth is a syntax, then the hero is not just a symbol — they are a semiotic function. The hero role mediates between levels of the system: between individual and group, known and unknown, structure and change.

By crossing thresholds, the hero both leaves the social order and ultimately returns to renew it. In relational terms, the hero acts as a transducer: converting the potential of personal transformation into a shared symbolic gain.

This is not always conscious or celebratory. The returning hero may be rejected, misrecognised, or silenced. But myth keeps the structure alive, holding open the possibility of transformation within the collective.


In the next post, we turn to myth not just as a system of shared meaning, but as a technology of transformation — a way of altering the attractor landscape itself, both for individuals and societies.

6 Myth as Transformative Technology — Repatterning the Possible

We have considered myth as a symbolic grammar, a means by which individuals and cultures coordinate shared meaning. But myth also does more than represent what is. It intervenes in what might be. It operates as a technology of transformation — a way of reshaping the attractor landscape of both personal identity and collective orientation.

This post explores myth as patterned possibility, a semiotic mechanism that not only maintains cultural coherence but enables change. From a relational perspective, myth alters the topology of meaning: it shifts the resonances by which experience is construed, subjectivity is formed, and futures are imagined.

Repatterning Meaning Potential

In the relational-semiotic view we’ve been developing, the world is not composed of inert things, but of dynamic relational patterns — semiotic attractors that stabilise and channel meaning over time. These patterns are not fixed; they can be disrupted, redirected, or reframed.

Myth functions here as a cultural operator on the field of potential. Through its narrative structures and symbolic motifs, it introduces new relations among elements of experience:

  • Where there was chaos, it offers structure.

  • Where there was stasis, it initiates movement.

  • Where there was despair, it evokes renewal.

This is not abstract. The story of the hero, for example, doesn’t just reflect a journey — it models a process of change. And when internalised, that model reorganises how future experience is construed: what we attend to, how we interpret suffering, how we project possibility.

In short, myth shifts the parameters of individuation.

Ritual as a Semiotic Interface

If myth is the pattern, ritual is its interface: the operational site where transformation becomes actual. Here, the meaning potential of the myth is instantiated — not only in symbolic action but in felt experience.

Through symbolic performance, communal rhythm, and embodied repetition, ritual activates new configurations of self and world. These shifts are not purely cognitive. They are affective, relational, and deeply material — altering the attractor space of consciousness itself.

And crucially, this transformation is not linear. As in complex systems, small perturbations can lead to bifurcations — sudden shifts to new stable states. Myth, in this sense, is less like a map and more like a strange attractor: a dynamic basin toward which transformation can be drawn, without predicting the precise path.

Cultural Metamorphosis

At the collective level, myths act as agents of metamorphosis. As cultural attractors, they maintain coherence — but they also enable emergence. They can be repurposed, contested, or recombined. And in so doing, they allow communities to reconfigure their semiotic foundations.

We see this in the re-activation of mythic motifs during times of social upheaval — the return of tricksters, the rebirth of the feminine, the proliferation of apocalyptic visions. These are not simply aesthetic choices. They signal shifts in the cultural attractor landscape: the emergence of new configurations of possibility, identity, and value.

As relational beings, we do not stand outside myth. We are inside it — participants in a semiotic ecology that both shapes and is shaped by us.


In the final post of the series, we will explore the limits and thresholds of mythic individuation: death, dissolution, and the transformations that lie beyond the self. What happens when the hero does not return — or when the story itself begins to unravel?

7 Beyond the Hero — Dissolution, Death, and the End of the Pattern

Every myth begins with separation and ends with return — or so the pattern tells us. But not every story finds its way home. Not every hero survives. Not every self remains intact. If myth serves as a symbolic technology of transformation, then we must also ask: What are its limits? What happens when the pattern itself begins to unravel?

This final post explores the thresholds of individuation — where the coherent self dissolves, where mythic continuity breaks down, and where meaning is no longer stabilised by story but drawn toward something else: silence, chaos, or renewal.

The Other Face of Transformation

The hero’s journey is not a guarantee. Initiation may fail. The abyss may not yield its treasure. And even if it does, return is not assured. In Campbell’s monomyth, the shadow of failure is always present — the descent that becomes madness, the transformation that ends in death.

But in a relational ontology, such dissolution is not necessarily failure. It is a shift in pattern — a release from previous attractors, a letting go of semiotic coherence. Death, here, is not simply the end of life. It is the dissolution of a meaning structure, the breaking of bonds that held a self together.

This can be terrifying. But it can also be generative — clearing space for a reconfiguration of potential.

Mythic Silence

Some traditions acknowledge this threshold directly. In Buddhist and Daoist cosmologies, for instance, the self is not the final locus of transformation. Rather, liberation lies in the recognition that the self is itself a construct, a temporary knot in the web of relations. The mythic hero dissolves not in tragedy, but in awakening — the realisation that the journey was never about the hero to begin with.

In these traditions, the end of the myth is not narrative resolution but emptiness — not as void, but as unpatterned potential.

Even in Western myth, echoes of this threshold remain. Consider Orpheus, whose descent ends not in triumph but in loss. Or Moses, who leads his people to the promised land but never enters it. These are not failures of character. They are markers of mythic limit — signs that some journeys reach beyond story.

The Unpatterned Edge

From a systems perspective, individuation cannot proceed forever. Every complex system encounters critical thresholds — bifurcations, breakdowns, phase transitions. The same is true of selves. There are limits to coherence, and moments when stability becomes impossible to maintain.

But in a relational universe, these limits are not terminal. They are passages — transitions into new attractor spaces, even if those spaces lie beyond current comprehension.

Myth, in this view, does not end at the boundary of self. It bends toward what lies beyond: the community, the cosmos, the unspoken. It opens into the more-than-personal — not as a loss of identity, but as its transformation into relation.

Myth as Living System

If myth is a living pattern, then it too is subject to birth, growth, decay, and renewal. It is not a fixed structure but an evolving ecology of meaning — one that responds to shifting cultural landscapes, emergent values, and new configurations of experience.

In this light, even the death of a myth is not its erasure. It is a phase in its transformation. Myths die not when they cease to be told, but when they no longer resonate — when the cultural attractor they once stabilised dissolves into a different pattern.

And sometimes, what emerges in that absence is not a new myth, but the space for a new way of relating — to self, to world, to mystery.


This concludes Living Patterns: A Relational Ontology of Myth and the Hero’s Journey. As always, the invitation remains: to see myth not just as story, but as a dynamic field of meaning, shaping the way we live, become, and relate.

26 May 2025

Individuation and the Self: A Relational View of Identity

1 Patterns of Becoming: Rethinking the Self as Semiotic Attractor

Introduction to the Series

We speak of finding ourselves — as though the self were a buried object, waiting to be retrieved. Sometimes we imagine it as an essence, deep within; at other times, as a kind of personal territory that must be defended. But what if the self is not a substance or location at all? What if it is a pattern — a resonance within a field of meaning — shaped by history, culture, and relation?

This series explores the self not as a static or isolated entity, but as an emergent configuration within a shared semiotic space. Drawing on a relational ontology grounded in systemic functional linguistics (SFL) and the Theory of Neuronal Group Selection (TNGS), I’ll suggest that identity is not something we possess, but something we instantiate — dynamically, selectively, and in context.

From Neuronal Attractors to Semiotic Selves

In a previous series, Neuronal Attractors: A Relational Reframing of Neural Selection and Consciousness, I explored how individual experience, in Edelman’s model, leads to the emergence of stable yet dynamic patterns of neural connectivity — attractors that reflect histories of selection and engagement with the world. There, I reframed consciousness as a relational phenomenon, not reducible to brain states alone but emerging through recursive interaction between organism and environment.

This new series picks up the thread from a different angle. What if we apply the same relational principles to the concept of the self? Just as neural configurations are shaped by experience-dependent selection, so too are the semiotic configurations we call identity. Our personal repertoires of meaning — how we interpret, respond, and enact — are selected over time, within a broader social and cultural field.

Beyond the Essential Self

The prevailing cultural metaphors of identity tend toward essentialism: the self as core, kernel, or container. These metaphors obscure the deeply relational, historical, and semiotic nature of subjectivity. They encourage us to look inward for something that, from a relational perspective, is always distributed — across language, memory, interaction, and cultural inheritance.

Instead of treating identity as a fixed inner structure, this series reimagines it as a trajectory in a space of meaning potential: a semiotic attractor, formed through countless acts of selection, negotiation, and instantiation.

Individuation as Semiotic Differentiation

At the centre of this reframing is the concept of individuation. In Edelman’s theory, individuation refers to the unique configuration of neural groups resulting from each organism’s history of perceptual and motor experience. In SFL, we might speak of individuation as the emergence of an individual’s meaning potential from the collective potential of a linguistic community.

Individuation, then, is not a boundary but a process — a differentiation within a relational field. It is the becoming of a self, not its being.

This process unfolds along what SFL calls the cline of instantiation: the movement from shared potential to individual instance, and from instance back to potential. Each moment of meaning-making is an act of semiotic individuation — and, in turn, feeds back into the individual’s evolving system of potential. In this way, identity is not imposed from outside, nor discovered from within, but enacted and accumulated across time.

A Semiotics of Subjectivity

This series will explore what it means to speak of the self in a semiotic universe — a universe in which meaning is not just communicated but constituted through systems of choice, patterned variation, and contextual emergence. Along the way, we’ll consider:

  • How shared systems of meaning give rise to differentiated selves;

  • How personality, memory, and agency can be understood as patterns in attractor space;

  • How a relational semiotics can help us rethink questions of identity, ethics, and cultural belonging.

By approaching subjectivity in this way, I hope to offer an account of the self that is neither reductively materialist nor mystically essentialist, but grounded in the very processes through which meaning comes to matter.


2 From Potential to Pattern: Individuation on the Cline of Meaning

How does a self emerge?

Not from nothing — nor from essence — but from within a field of possibilities. Each of us is born into a world saturated with meaning: a world already semiotically structured, already patterned by others. We enter not as blank slates, but as open systems — materially shaped by biology, yet semiotically formed through interaction.

In this post, I want to explore individuation as a movement from potential to instance and back again. Drawing on systemic functional linguistics (SFL), we’ll follow the self along the cline of instantiation, where identity takes shape as an evolving pattern in the shared space of meaning.

Shared Potential, Personal Selection

In SFL, language is not a fixed code but a system of meaning potential — a resource for making choices in context. This potential is not privately owned; it is collective. We learn language not by copying forms but by learning to select meaning in ways that resonate with others — and differentiate us as individuals.

As we engage with the semiotic systems around us, we begin to carve out personal patterns of selection. These patterns form our instantial systems — repertoires of meaning shaped by individual experience, history, and perspective.

Just as Edelman’s neuronal groups are shaped by selective reinforcement, so too are our semiotic tendencies. We do not inherit a self, but we develop one, by actualising meaning potential in ways that leave a trace — and then selecting again.

The Cline of Instantiation

Halliday’s model introduces the cline of instantiation to describe the relation between:

  • System potential (what can be meant), and

  • Meaning instance (what is actually meant in a given context).

This cline is not a one-way street. Each instance both draws on and reshapes the system. The more often a pattern is instantiated — either by ourselves or others — the more likely it is to recur. Probabilities shift. New regularities emerge.

Now let’s apply this to identity.

The self is not merely a sum of instances, nor a pre-existing system. It is the emergent attractor within this cline — a region of higher probability, where patterns of selection cohere over time. This attractor is what we recognise as personality, character, or voice.

In this sense, individuation is not just a socialisation process — it is a semiotic trajectory, shaped by both participation in the system and the specific selections we make as individuals.

Meaningful Differences

This view allows us to rethink difference. Individuality is not deviation from a norm; it is the differentiation of potential within a shared space. It emerges through selection, reinforcement, and context-sensitive variation.

Importantly, it also means that individuality is not something sealed off or private. The systems we draw on to mean — language, culture, narrative — are relational infrastructures. They allow for individuation because they are shared.

We are, in this sense, co-individuated. Our selves are partly shaped by the selections of others — not just those we interact with, but those who came before, whose meanings ripple through the systems we inherit.

Memory and Feedback

This model also offers a way to understand memory. Memory, from a relational-semiotic perspective, is not just stored content but the reactivation of patterns of meaning. Each time a configuration is selected again — linguistically, emotionally, narratively — it deepens the attractor. It becomes part of the self’s probabilistic landscape.

These recursive selections form a kind of feedback loop. The self becomes a system of tendencies: how we tend to mean, to act, to interpret, to feel. These tendencies are not fixed, but they have inertia. They are shaped by past instantiations — and shape future ones in turn.

Identity as a Living Probability

To say that identity is a pattern in attractor space is not to reduce it to mere regularity. Rather, it is to see identity as temporally and relationally emergent. The self is not a thing we have, but a pattern we enact — and a pattern that enacts us.

This has important implications. It means that the self is:

  • Context-sensitive: Always in relation to a field of meanings.

  • Historically contingent: Formed through trajectories of selection and instantiation.

  • Probabilistic, not deterministic: Open to change, but with shaped tendencies.

It also opens a space for agency — but not the agency of the sovereign subject, acting from outside the system. Rather, agency becomes the semiotic modulation of selection: the ability to shift patterns, instantiate alternatives, and reconfigure potential.


In the next post, we’ll begin to trace these ideas into more concrete dimensions of subjectivity — including memory, emotion, and the formation of personal voice. We’ll explore how the self becomes recognisable to others, and to itself, not through essence or introspection, but through semiotic regularities that emerge in interaction.

3 The Semiotics of Subjectivity: Memory, Emotion, and the Patterning of Voice

If the self is a patterned attractor in the space of meaning, then subjectivity — our sense of being someone — must be a semiotic phenomenon. But what does that mean in practice? How does it feel?

In this post, we turn to the lived texture of individuation: how memory, emotion, and personal voice emerge as patterned selections in shared systems of meaning. These features are not internal content waiting to be expressed. They are semiotic formations — dynamic acts of meaning that unfold through time, always in relation to context, and always within the constraints and possibilities of the systems we inherit.

Remembering as Reinstantiating

We tend to think of memory as the storage and retrieval of information. But from a relational-semiotic perspective, memory is not a warehouse — it is a reinstantiation of patterned meaning.

When we remember, we don’t recover a fixed image from the past. Instead, we reconfigure meaning in the present, drawing on traces of prior selections. A memory is shaped by:

  • What was originally selected and reinforced,

  • The context in which we recall it,

  • The systems of meaning (linguistic, cultural, emotional) through which we reconstruct it.

Every act of remembering is a meaning-making event — a new instance that both draws upon and reshapes the self’s patterning. Recollection becomes a site of individuation: a feedback loop between past and present, potential and instance, system and selection.

In this light, autobiographical memory is not a record but a trajectory — a way of continually reconstituting the self across time.

Emotion as Meaning in Movement

Like memory, emotion is often treated as a private, internal state. But this view obscures its semiotic function.

In Halliday’s terms, language enacts emotion through the interpersonal metafunction: we express evaluation, attitude, desire, and affiliation not by referencing internal feelings, but by positioning ourselves in relation to others and the world.

This positioning occurs through systems of mood, modality, appraisal — systems that are shared, not idiosyncratic. Emotions are made recognisable and actionable by the way we mean them. They become patterns of interaction — ways of modulating stance, marking value, and orienting significance.

Thus, emotion too becomes part of the self’s attractor structure. Some emotional meanings are selected frequently; others are suppressed, avoided, or inaccessible. Over time, these tendencies shape a distinctive affective profile — not simply in how we feel, but in how we mean through feeling.

To put it simply: emotion is not just what moves us. It is how we mean movement.

Voice as Semiotic Signature

Voice is where the threads of memory and emotion converge. It is not reducible to sound, nor to ‘self-expression.’ Voice is the semiotic signature of an individual — a patterned style of selection across strata of meaning.

It is through voice that individuation becomes recognisable. The child acquires language by learning to mean like others — but over time, certain selections recur. Certain tonalities, stances, idioms, or rhythms begin to crystallise. Voice emerges as a higher-order attractor: a meta-pattern in the system of semiotic choices.

This is especially visible in writing, where the constraints of embodied interaction are removed. Writers, artists, thinkers — they are recognisable not because of what they say, but because of how they select and pattern meaning. The same applies, though more subtly, to everyday discourse.

Voice, then, is not a thing we express. It is a pattern we instantiate — and that instantiates us, again and again, across contexts.

The Felt Sense of Self

What, then, is this felt sense of being a self?

It is not the possession of a stable essence. Nor is it a mere illusion. It is the semiotic coherence of a pattern, the resonance of multiple strata — memory, emotion, stance, voice — within a field of relational meaning. When these align, however partially, we experience a moment of subjectivity: I am this pattern, here, now.

This felt sense is not constant. It waxes and wanes, intensifies and dissolves. But it is not random. It emerges in relation to semiotic feedback — to the meaningful confirmations, disruptions, and recognitions we encounter in social life.

To feel like someone is to participate in the self’s ongoing emergence.


In the next post, we’ll turn to individuation as a social process. How does one become ‘an individual’ within a culture? How is personal identity shaped — and constrained — by the systems of value and recognition that structure social life? We’ll explore how individuality is not only performed in semiotic space, but positioned within cultural orders of meaning.

4 The Cultural Matrix: Individuation, Recognition, and the Social Shaping of Identity

In previous posts, we’ve explored individuation as a relational process: how the self emerges as a patterned attractor in the space of meaning, formed through experience, shaped by memory, emotion, and voice. But this emergence doesn’t happen in isolation. It happens within a cultural matrix — a semiotic ecology of values, roles, and recognitions that makes certain forms of identity more viable than others.

In this post, we explore individuation as a socially mediated process. How do we become someone in relation to others? How are selves formed, stabilised, or constrained by the systems through which culture recognises identity? And what happens when our self-patterns fail to resonate with those systems?

Individuation and the Demand for Recognition

We don’t just exist as patterns in attractor space — we exist as meaners among meaners, in a semiotic universe that is always interpersonal. From early development, identity emerges in relation to recognition: the uptake of our meanings by others, the confirmation that our voice ‘lands,’ that our stance matters.

To be recognised is not simply to be noticed. It is to have our meaning taken up as a meaningful move in the ongoing flow of interaction. This is a foundational condition of individuation.

Conversely, lack of recognition — or misrecognition — can disrupt or deform the process. If my meaning is systematically ignored, or my pattern consistently misread, the sense of self may begin to unravel or fragment. The self is not a given; it is a social achievement — always precarious, always in process.

Cultural Systems as Semiotic Selectors

Cultures are not neutral backdrops. They are semiotic systems that organise the conditions under which individuation unfolds. Through language, institutions, genres, narratives, rituals, and norms, culture offers:

  • Taxonomies of identity (e.g. gender, class, ethnicity, profession),

  • Scripts for performance (e.g. how to act, speak, feel, succeed),

  • Hierarchies of value (e.g. whose meanings matter, and when).

These systems select and reinforce certain patterns of individuation while marginalising or suppressing others. That is, cultures function like selectors in attractor space: they bias the trajectories that selves can take, making some patterns more probable, more recognisable, more ‘sayable.’

To become someone in a given cultural context is to navigate — and negotiate — these systems. One cannot simply select any identity at random; individuation must occur within the semiotic constraints of recognisability.

Positioning, Resistance, Transformation

Of course, culture is not monolithic. It contains contradictions, multiplicities, and tensions. Individuals do not only conform to its shaping forces; they also resist, rework, or transform them. This is where the relational view becomes especially potent.

We can think of individuation not merely as selection within a cultural system, but as positioning within a field of difference — a semiotic topology where every act of meaning takes place in relation to what is normed, expected, or dispreferred.

This positioning can be:

  • Aligning: taking up the subject-positions culture makes available,

  • Disaligning: resisting or reframing those positions,

  • Repatterning: creating new patterns of meaning that shift the attractor space itself.

All of these are moves in the space of individuation. And all of them are deeply relational: even resistance presupposes a system from which one resists.

Identity as Cultural Attractor

What we call an identity is not simply a role, a label, or a performance. It is a culturally mediated attractor — a pattern of selection that stabilises in relation to shared systems of meaning, and that others can recognise as consistent, intelligible, ‘real.’

This applies not only to individual selves but to collective identities as well. Identities form through iterations across time and context, becoming more probable the more they are instantiated, reinforced, circulated. And like any attractor, they are susceptible to tipping points — moments of rapid change, dissonance, or reorganisation.

In this view, cultural change is not simply about replacing one identity category with another. It is about reshaping the landscape of recognisability itself: shifting the semiotic conditions under which individuation can occur.


In the next post, we’ll take this further. If individuation is a pattern shaped by both biological and cultural selection, how might we think about agency — not as a possession, but as a dynamic capacity to modulate one’s path through relational space? Can the self be seen not as a locus of control, but as a resonant node in the field of patterned possibility?

5 Agency as Resonance: Navigating Possibility in the Relational Field

In previous posts, we have explored the self as a patterned attractor arising from memory, emotion, voice, and cultural recognition. Now we turn to a vital question: What is agency in a relational-semiotic universe?

Traditional views often treat agency as a fixed possession — an inner ‘will’ or ‘control centre’ that drives action. But from a relational perspective, agency is not a static attribute. Instead, it is a dynamic capacity: the ability to modulate, navigate, and resonate with the landscape of semiotic possibilities.

Agency as Modulation of Patterned Potential

Recall that the self emerges as an attractor — a stable pattern in a high-dimensional space of meaning. Agency can be understood as the capacity to shift, modulate, or amplify aspects of this pattern in response to context and feedback.

This modulation involves:

  • Selection: choosing among available meanings, stances, or responses,

  • Coordination: integrating diverse semiotic resources (memory, emotion, voice, cultural roles),

  • Adaptation: responding flexibly to shifting relational demands.

Agency is therefore an ongoing process of pattern reconfiguration — a dance between stability and change, constraint and possibility.

Resonance and Responsiveness

Agency is not just about control; it is about resonance — tuning oneself to the relational environment.

In physics, resonance occurs when a system oscillates with greater amplitude at particular frequencies. Similarly, in the relational field, agency involves attuning to cues, feedback, and potentialities in ways that amplify meaningful engagement.

This resonance can be constructive, creative, and transformative — but it can also be constrained by social structures, personal histories, and affective limits.

Agency thus implies a sensitivity to the semiotic field: an ability to sense possibilities, anticipate outcomes, and align one’s patterns accordingly.

The Illusion of a Central Controller

The metaphor of a ‘controller’ or ‘homunculus’ at the core of the self is problematic in a relational model. There is no singular, isolated agent pulling all the strings.

Instead, agency is distributed across the system:

  • Across neural circuits shaping cognitive and emotional responses,

  • Across social interactions that co-construct meaning,

  • Across cultural systems that shape available options.

The self is not a locus of agency but a resonant node in a network of dynamic relations — a hub where multiple influences converge and from which patterns of meaning ripple outward.

Agency and Constraint

Understanding agency relationally also means recognising constraint.

While agency enables modulation, it is always exercised within limits: biological, psychological, social, and cultural.

Constraints shape which attractors are accessible or probable; they frame the semiotic landscape in which the self moves.

The paradox of agency is that freedom emerges within constraint — the capacity to create meaningful variation within patterned fields of possibility.


In summary, agency is not a fixed property but a dynamic process of resonance and modulation in the relational field. It is the ongoing capacity of the self to navigate, shape, and be shaped by the semiotic attractors that constitute identity.


Next, we can explore how agency relates to ethics and responsibility in a relational universe — what it means to act as an individuated self that is deeply embedded in interconnected semiotic fields.

6 Ethics in a Relational Universe: Responsibility, Care, and the Self as Network

So far, we have traced the emergence of the self as a relational attractor, its formation within cultural semiotic fields, and agency as resonance within patterned possibility. But what does this mean for ethics — for how we understand responsibility, care, and moral action in a relational-semiotic universe?

The Self as Networked Being

If the self is not a solitary agent but a node in a network of relations, then ethics cannot be conceived as a matter of isolated individual choice. Instead, it becomes a practice of relational attunement — an ongoing negotiation with the interconnected others, systems, and meanings that co-constitute identity.

This shifts the ethical question from “What should I do?” to:

  • How does my action resonate within the field of relations?

  • What patterns of meaning and connection does it sustain or disrupt?

  • How does my individuation impact the network?

Responsibility as Relational Responsiveness

Responsibility here is not a burden imposed on a discrete self. It is a capacity to respond — to be open, attentive, and accountable to the ways one’s actions affect others and the semiotic field.

This echoes the concept of responsiveness in relational ethics: the self is responsible insofar as it participates in ongoing processes of meaning-making and connection.

In this view, responsibility is distributed and co-constructed rather than singular and fixed.

Care and Mutuality

Care emerges naturally from this relational framing.

To care is to engage in practices that nurture and sustain the networks that enable individuation — including relationships, cultural practices, and shared meanings.

Ethics of care foregrounds mutuality, emphasizing interdependence rather than independence.

Navigating Conflict and Difference

Relational ethics also acknowledges the complexity of conflict and difference within networks.

Individual patterns of meaning inevitably intersect, overlap, or clash. Ethical individuation requires:

  • Recognising difference without erasure,

  • Negotiating tensions between autonomy and interdependence,

  • Being willing to transform one’s own patterns in light of others.

Implications for Selfhood

This relational-ethical view reframes the self:

  • As neither fully autonomous nor fully determined,

  • As a dynamic participant in ethical processes,

  • As a self whose identity is always a responsibility and a promise to others.


In the next post, we might explore the implications of this relational self for memory, trauma, and healing — how our patterns bear the marks of relational histories and how transformation occurs.

7 Memory, Trauma, and Healing: The Relational Imprints on the Self

Our exploration of the self as a relational attractor has brought us through identity, culture, agency, and ethics. Now, we turn to the deep imprints left on this self-pattern by memory and trauma — and how healing unfolds as a transformation of relational meaning.

Memory as Relational Patterning

Memory is not simply a static store of information but a dynamic network of semiotic patterns — traces of past interactions, emotions, and experiences woven into the fabric of the self.

These patterns shape present perception, action, and identity, acting as attractor basins that channel meaning and behaviour.

Because memory is relational, it is always mediated by:

  • The semiotic systems available to encode and interpret experience,

  • The social and cultural contexts that shape which memories are preserved, forgotten, or reframed,

  • The ongoing interaction between self and others.

Trauma: Disruption in the Relational Field

Trauma can be understood as a rupture or dissonance in the relational semiotic field.

It is an experience that overwhelms existing patterns, shattering the coherence of meaning and fracturing the attractor basin that stabilises the self.

Traumatic memories often resist integration into narrative meaning, becoming fragmented or isolated attractors that repeatedly pull the self into distress or disconnection.

Healing as Repatterning

Healing, from this perspective, is a process of repatterning:

  • Reintegrating traumatic fragments into coherent meaning,

  • Re-establishing relational resonance with self and others,

  • Transforming attractor landscapes to create new possibilities for identity and agency.

This transformation is rarely linear or solitary. It is inherently relational, often requiring supportive social environments, empathetic recognition, and cultural resources that enable new patterns to form.

The Self as a Healing Network

The relational self holds the capacity for self-repair precisely because it is dynamic and interconnected.

By tuning into the relational cues of the present — be it through dialogue, art, ritual, or therapeutic engagement — the self can gradually reorganise its semiotic patterns, opening pathways from fragmentation toward wholeness.


Next, we could explore the implications of the relational self for creativity, play, and innovation — how new meaning patterns emerge and expand the attractor space.

8 Creativity and Play: Expanding the Attractor Space of the Self

In earlier posts, we explored the relational self as a semiotic pattern: shaped by networks of interaction, attuned to shared meaning, and responsive to trauma and transformation. Now we turn to a different but equally vital dynamic — creativity — the capacity not only to repair patterns but to invent new ones.

At the heart of creativity lies play: a mode of exploration in which the self opens to potential, navigates uncertainty, and generates novel configurations of meaning.

The Self as a Generator of Possibility

To say that the self is a relational attractor is not to imply stasis. Attractors can shift, multiply, and evolve. Within any given set of constraints, new forms can emerge.

Creativity involves the activation of latent potential in the attractor space — a kind of semiotic branching that moves beyond what has previously been enacted or expected.

This may occur through:

  • Recombining familiar patterns in unfamiliar ways,

  • Juxtaposing meanings from different registers or domains,

  • Playing with the boundaries of systems — linguistic, cultural, perceptual.

Play as Semiotic Improvisation

Play is more than frivolity; it is a mode of meaning-making that suspends fixed commitments and explores alternatives.

In play, the self loosens its grip on stability, allowing for:

  • Fluid role-taking,

  • Flexible movement between frames of reference,

  • Experimentation with identity, expression, and interaction.

This freedom from necessity enables semiotic plasticity — the very condition of innovation and individuation.

Cultural Grounds for Creativity

Just as individuation unfolds within cultural meaning fields, so too does creativity.

Cultural systems provide:

  • The symbolic material from which novelty is woven,

  • The aesthetic and ethical parameters for what counts as meaningful,

  • The feedback loops through which new patterns gain resonance or resistance.

Thus, creativity is never purely private. It is dialogic, arising from and contributing to shared semiotic life.

From Novelty to Pattern

Not all novelty becomes a stable attractor. But when a new configuration of meaning resonates — with others, with the moment, with the system — it may become part of the evolving repertoire of the self.

This is how identity expands: not just by consolidating the past, but by inviting the future into presence.

In the next post, we’ll explore the temporality of the relational self — how time, memory, anticipation, and rhythm are woven into the ongoing becoming of identity.

9 Time and the Self: Rhythm, Anticipation, and the Flow of Becoming

What kind of time does a relational self inhabit? Not the uniform time of clocks and calendars, but a time of rhythms, durations, and unfoldings — a time experienced through the pulse of interaction and the flow of meaning.

The self, in this view, is not an object persisting in time but a pattern in time: a dynamic configuration that endures by changing.

Temporal Individuation

Each act of meaning, each encounter with others, each moment of reflection — these are not just events in time, but moments that make time: they weave the lived fabric of temporality for the self.

This temporality is shaped by:

  • Memory: patterning the present with traces of the past

  • Anticipation: orienting action toward imagined futures

  • Rhythm: coordinating self and world in time

In this sense, time is not a neutral container but a relational dimension of individuation itself.

The Rhythmic Self

Biological and cultural rhythms — breathing, sleeping, speaking, working, celebrating — synchronise the self with larger systems of meaning. These rhythms:

  • Anchor identity in patterned repetitions

  • Create temporal attractors that stabilise experience

  • Enable entrainment with others and the environment

Disruption of these rhythms, as in trauma or isolation, can fracture the sense of temporal continuity — a loss not only of stability but of coherence.

Anticipation and Potential

To anticipate is not simply to predict; it is to be oriented by possibility. The relational self lives toward futures that are not-yet-actual but already shaping the present through desire, dread, intention, or imagination.

Anticipation thus functions as a forward-tensed attractor — pulling the self toward becoming, even as the past continues to echo in the unfolding present.

The Self as a Flow of Pattern

Taken together, memory, rhythm, and anticipation constitute a semiotic temporality — not linear and abstract, but recursive, textured, and participatory.

The self is not a point moving through time, but a waveform of meaning, resonating across past, present, and future. To individuate is to move within that waveform: repeating, varying, improvising, and evolving.


10 Thresholds of the Self: Death, Dissolution, and Transformation

If the self is a pattern — a dynamic attractor in the field of relational meaning — then it does not end with a sharp border or fixed limit. It emerges, persists, shifts, and, eventually, dissolves. In this final post, we turn to the thresholds of individuation: the places where identity gives way to unmaking, transformation, or reabsorption into larger systems of meaning.

These thresholds confront us with the edges of selfhood — not just death, but loss, change, and the undoing of patterns we had taken to be “me.”

Death as Dissolution of Pattern

In a relational ontology, the self is not a substance but a process — not a thing that dies, but a pattern that ceases to be sustained.

What ends at death is not the “core self,” but the continuity of coordination across physiological, cognitive, interpersonal, and cultural systems. These processes unravel, and the attractor loses stability.

But the traces of that pattern do not vanish. Memory, ritual, language, artefact, and community carry forward the resonance of that self — as semiotic ripple, as narrative, as absence made present.

Death, then, is not the negation of selfhood, but its final transformation — a shift from active individuation to a relational legacy.

Grief and the Persistence of Pattern

When someone dies, it is not only they who dissolve — our own patterning is disrupted.

Grief is the felt experience of a relational attractor losing a co-regulating partner. In this sense, grief is individuation in crisis: a reorganisation of the self in the absence of an other who helped constitute it.

Through mourning, ritual, and remembrance, the community reconstructs meaning around the loss. This reconstruction can extend the self of the deceased into new relational patterns — honouring, narrating, and reweaving their trace.

Transformation: When the Pattern Shifts

Not all thresholds are endings. Some are radical transformations: turning points in identity where the attractor basin shifts — through trauma, healing, initiation, revelation.

These are moments when individuation passes through discontinuity, emerging with new parameters, priorities, or potentials.

In such moments, the self as it was must dissolve — often painfully — to make space for a repatterning. This transformation is not linear growth, but a metamorphosis: a phase transition in the attractor space of identity.

Returning the Self to the Field

A relational view of individuation ends not in isolation, but in integration.

The self returns to the field from which it emerged — not as a vanishing, but as a redistribution of meaning across the relational network. What once individuated as “me” becomes soil for future selves, future meanings.

Even in death, the self resonates.


Thus ends our journey into individuation. We have not sought fixed answers, but patterns — emergent, co-constituted, dynamic. The self is not a thing, but a becoming. And in every interaction, every word, every silence, it becomes again.