Showing posts with label mythos. Show all posts
Showing posts with label mythos. Show all posts

24 September 2025

Unfolding Myths: Living With Time After Its End

1 The End of Time, The Return of Myth

"When time dissolves into unfolding, only story remains. And it is in story that the world is cut again — not into clocks, but into meanings."

We are now living beyond time.

This is not a claim about physics, calendars, or cultural decay. It is a semiotic claim — a recognition that time as we have inherited it was never a neutral backdrop, but a symbolic infrastructure: a grammar of unfolding that served a particular worldview. That grammar is crumbling. And in its place, something older — and perhaps more enduring — is beginning to stir.

We ended the Phasecraft series by dissolving time into perspectival unfolding: not a line, but a field of processes, each undergoing its own mode of becoming. In that move, we displaced time as a container and recast it as an effect of how we phase the world — how we cut it into perceptible, nameable, shareable processes.

But when those cuts become unstable — when phasing fails to deliver the world as coherent or navigable — what then? What orients us, when the temporal scaffolding collapses?

This is where mythos returns.

Not as fantasy. Not as superstition. But as symbolic orientation to the open.
As the story through which a world becomes phaseable again.
As the deeper grammar beneath all our surface grammars.


Time as Myth

The modern notion of time — linear, uniform, divisible, external — is a myth. Not in the sense of being false, but in the sense of being a total symbolic cut: a story that orders experience, anchors causality, and locates the self within a broader unfolding. It is a myth that came to dominate others, installing itself as the background condition for science, economy, and governance. And like all myths, it shaped what could be said, thought, and felt.

But its authority is waning. Climate crisis, planetary computation, cultural unmooring — these have ruptured the coherence of linear time. We no longer move confidently toward “the future.” We no longer believe in progress as unfolding inevitability. We no longer trust that time’s arrow points anywhere in particular.

We are left, instead, with unfolding: plural, perspectival, processual.


Mythos as the Grammar of Meaningful Unfolding

If phasecraft is our method for cutting the world into unfolding processes, then mythos is what gives those cuts weight. Mythos provides the symbolic conditions under which a cut matters — under which it becomes not just a perceptual distinction, but an orientation within a shared world.

Where phasecraft works at the level of semiotic technique, mythos works at the level of symbolic ecology. It shapes what is seen as sacred, tragic, inevitable, redemptive, or possible. It tells us what kind of world we are phasing.

And crucially, it is not optional. Every act of phasing already presupposes a mythos. Even modernity, with all its anti-mythical pretensions, was mythic through and through — its faith in rationality, in mastery, in temporal progress, was nothing less than cosmogonic.

To phase without mythos is to navigate without a horizon. To live-with unfolding without symbolic grounding is to drift in a sea of processes, unable to name what matters.

So myth returns — not as regression, but as the symbolic consequence of time’s collapse.


Living With the Open

What we are seeking now is not a return to traditional mythologies. Those were anchored in cosmoi and ecologies that no longer hold. Nor are we seeking to fabricate new grand narratives, scripted from above.

What we are seeking is something else entirely:

  • a grammar for symbolic orientation to the open;

  • a practice of worlding that lives-with indeterminacy rather than denying it;

  • a poetics of unfolding that cuts meaning without claiming closure.

This is the work of mythos after time.

In the posts that follow, we will explore how different cultures have phased the world through cosmological narrative — and how these symbolic grammars might inform, challenge, or inspire our own. We will examine the colonial wound of imposed temporalities, the more-than-human grammars of mythic ecology, and the emerging symbolic potentials of this transitional moment.

We are not looking for stories to believe.
We are looking for ways to live.
And that, now more than ever, is the work of myth.


2 Cosmoi of the Cut

“Each cut is already a cosmos. Each unfolding bears the weight of a world.”

If time was never a neutral container, then neither were the worlds that grew within it. Across cultures and histories, people have lived-with unfolding in ways that far exceed the grammar of clocks. They did not name time, but cut the world — into seasons and stories, initiations and returns, births and deaths and rebirths. These cuts were never mere temporal markers. They were cosmoi: entire symbolic orders sustained through ritual, genre, and shared construal.

In this post, we move from the critique of modern time to the plurality of world-cuts: how different cultures have phased becoming through symbolic practice. We’re not here to survey traditions for their quaintness, nor to appropriate cosmologies out of context. We’re here to learn how people have lived-with unfolding, and how they’ve sustained symbolic orientation without collapsing into linearity or chaos.

This is not anthropology. It is an archaeology of possibility.


From Time to Cosmos

To say that mythos returns after time is to say that cosmos returns — not as the universe, but as an ordered whole: a world that holds its unfolding through symbolic structure. Every cosmos is sustained by a grammar of cuts: distinctions between the sacred and the profane, the before and the after, the permissible and the forbidden. These are not abstract metaphysics; they are lived semiotics.

Consider a few examples of such symbolic orderings:

  • Spiral temporalities (e.g. in West African or Andean cosmologies), where events do not repeat, but echo — returning with difference, intensifying through layered cycles.

  • Kinship calendars, in which unfolding is synchronised with social roles — becoming a parent, elder, ancestor — and the very structure of time is indexed to relational change.

  • Agricultural rituals, where sowing and harvesting are not just economic acts, but cosmogonic events — re-enactments of creation, death, and renewal.

  • Initiatory thresholds, where unfolding is cut not by age or date, but by symbolic trial — the world becomes different after the ordeal, and so does the self.

Each of these is a cosmos: not a map of space-time, but a grammar for living meaningfully with change.


The Cut as Symbolic, Not Temporal

What these practices reveal is that unfolding has always been lived through symbolic cut, not measured time.

A cut is not just a moment; it is a transvaluation — a shift in the order of meaning. A festival doesn’t merely mark the passage of days; it alters the world, re-activates cosmological grounding. A ritual doesn’t occur in time; it cuts time, orienting the unfolding around a phase shift that cannot be located on a clock.

This is why modern “time management” feels so hollow. It offers division without cosmos, segmentation without symbolism. It phases the world into units, but never into meaning.

In contrast, cosmoi hold the unfolding through cuts that matter — cuts that orient, bind, and renew.


Phasing as Cosmopoiesis

If phasecraft names the act of semiotic cutting — of distinguishing processes in order to live with them — then cosmopoiesis is the symbolic maintenance of those cuts at the level of world. It is not merely phasing; it is worlding.

In this sense, phasing is never just technical. Every cut is already embedded in a mythos. To phase is to participate in a cosmos — to locate oneself, not merely in a process, but in a meaningful whole.

This has profound implications:

  • There is no such thing as pure process. All unfolding is construed through a symbolic ecology.

  • There is no such thing as universal time. All temporalities are local, perspectival, and cosmopoietic.

  • The loss of symbolic grammar is not neutral. It disables the world’s phaseability.


Toward Pluriversal Phasing

What we are now confronting is a collapse of the dominant cosmos — not just its institutions, but its symbolic coherence. In its place is not chaos, but multiplicity — a pluriverse of potential grammars for phasing the world.

We do not need to adopt ancient cosmoi. We do not need to fabricate new meta-narratives. We need to become conscious phasecrafters of the symbolic — not just how we cut, but how we world.

This will require re-learning what it means to live-with the cut — not as loss, but as cosmogony.
The next post will turn to the colonial imposition of clock time and the systematic destruction of other cosmoi.
Because before we can recraft mythos, we must reckon with the violence that unmade it.


3 Clock Time and the Colonial Cut

“To conquer a people, it is not enough to take their land. You must also take their time.”

So far, we’ve spoken of mythos, cosmos, and the unfolding of lived processes. But the end of time — and the return of myth — cannot be understood apart from the colonial cut that severed peoples from their symbolic ecologies. Clock time did not merely displace cosmoi; it imposed a new symbolic order altogether: abstract, universal, measurable, empty. It was not just a technical convenience. It was an epistemic conquest.

To deconstruct time is not just to philosophise. It is to decolonise the symbolic order that made clock time appear natural, inevitable, and neutral. And it is to understand that reclaiming unfolding means also reclaiming the right to live-with the world in one's own way — to phase it, symbolise it, and belong to it.


The Universalisation of One Cut

Clock time is not universal. It is the outcome of a particular historical trajectory — one that emerged in Western Europe alongside industrialisation, colonial expansion, and the commodification of labour.

But what matters most is how it universalised its cut. Clock time did not merely offer an alternative way of organising the world; it redefined what organisation meant. It replaced local phasing with standardisation. It replaced symbolic significance with synchronicity. It replaced cosmopoiesis with compliance.

And it travelled not through persuasion, but through power.

  • Missionaries imposed liturgical schedules that displaced local festivals and ritual cycles.

  • Administrators enforced calendars and census regimes that rewrote indigenous genealogies and events.

  • Educators retrained children to think in hours and years, not in monsoons or harvests or kinship roles.

  • Capitalists converted labour into timed units, destroying the link between work, land, and sacred rhythm.

These were not side effects. They were strategies of domination — severing people from their world, their unfolding, their symbolic infrastructure.


The Violence of Temporal Displacement

To be torn from one’s symbolic unfolding is not just to lose tradition. It is to lose the very grammar of meaning. The colonial cut was a severing of orientation — a disembedding so profound that it left communities not just dispossessed, but disoriented.

This is why so much postcolonial struggle is not just about land or language, but about time. The call to “slow down,” to “reconnect with cycles,” to “honour ancestors” — these are not lifestyle choices. They are attempts to reworld the cut, to regenerate phaseability within a damaged symbolic ecology.

In this light, even modern calls to “manage time better” or “be more productive” carry colonial echoes. They preserve the grammar of compliance, not of orientation. They assume the legitimacy of the clock, even as they lament its effects.


Resisting Temporal Monoculture

Just as biodiversity protects ecosystems, symbolic diversity protects worldability. When only one mode of phasing is authorised — when only one temporal grammar is legitimate — then all other cosmoi become unintelligible. Or worse: romanticised, commodified, or erased.

To resist temporal monoculture is not to reject coordination or technology. It is to reclaim the right to live-with unfolding in ways that honour one’s own symbolic grounding. It is to refuse the idea that meaningful life must submit to abstract universals. And it is to recognise that no symbolic ecology can flourish under conditions of extraction and erasure.

This resistance is already alive — in indigenous language revival, in land-based ritual, in Afro-diasporic futurisms, in queer temporalities, in more-than-human cosmologies. These are not just cultural expressions. They are cosmopoietic acts — cuts against the clock, in defence of unfolding.


Beyond the Reparative Frame

Yet even resistance can be captured by the grammar it opposes. The dream of “restoring” cosmoi, of “undoing” the colonial cut, risks reinscribing the logic of time — as if symbolic healing were a project with a deadline, a future to arrive at, a past to retrieve.

But unfolding does not move backwards or forwards. It moves with. And so the task is not reparation as reversal, but as reconstrual: a living-with the cut as a site of worldmaking, not world-loss.

In the next post, we will turn to how the more-than-human — forests, rivers, winds, fungi — already phase the world in ways that exceed clock time, and how relational ontologies offer an alternative ground for cosmopoiesis in the aftermath of time.


4 More-than-Human Phasecraft

“The wind does not wait for permission to change. The mushroom does not ask if it is time. The forest phases itself.”

Clock time tells us that the world is inert, waiting to be moved. But in truth, the world is always already unfolding — not as background, but as participant. In this post, we turn to the more-than-human: the forests, rivers, fungi, weather-systems, microbial colonies — not as objects in time, but as phasers of world. They are not resources, not scenery, not passive terrain. They are agents of the cut.

And if mythos is to return — if symbolic life is to be reconstituted — it cannot do so within a human-only cosmology. The more-than-human is already phasing the world. We are the ones catching up.


From Environment to Ecophase

Modernity called it “the environment” — a container for human activity, to be studied or saved. But the world does not surround us. It co-constitutes us.

In relational ontology, the world is not a set of things in space-time. It is an ongoing differentiation of process — and that process includes us only as one strand in a vast, dynamic weave. More-than-human life does not simply exist; it orients, cuts, intensifies. It produces symbolic pressure. It phases becoming.

  • A fungal bloom reframes the forest’s metabolism.

  • A drought realigns the village’s rituals.

  • A migration reshapes the semiotic horizon of the land.

These are not effects of “natural forces.” They are symbolic acts, cutting the unfolding into new orientations. The cosmos is not just human; it is composed across scales and species.


More-than-Human Phasecraft

Just as humans ritualise the cut, the more-than-human world actualises it — through shifts that are not only physical, but relationally meaningful.

Let us consider:

  • Coral bleaching, not just as an ecological event, but as a cosmological cry — a cut that says: you have breached the relational contract.

  • Mushroom networks, not merely as underground highways, but as distributed phasecraft — synchronising decay, renewal, and growth across ecologies.

  • Tides and winds, not as background conditions, but as tempo-shaping forces — cutting movement into phases, producing ritual synchrony without a clock.

  • Animal migration, not as instinctual behaviour, but as a living semiotic, phasing regions into seasonal orientations and sacred thresholds.

These are not metaphors. They are symbolic operations within ecologies whose semiotic logics do not depend on humans to be meaningful.


Cosmopoiesis Beyond the Human

When the colonial clock cut through symbolic ecologies, it not only severed human cultures — it desevered the more-than-human world. It rendered the world inanimate, unspeaking, passive. But in relational ontology, the more-than-human is symbolically active — co-participant in the phasing of cosmos.

This has consequences:

  • There can be no reconstitution of mythos that is not ecosemiotic — involving plants, animals, weather, topologies.

  • Cosmopoiesis must be distributed — held across species, not centralised in human institutions.

  • Phasecraft must be listened for, not just designed — because the world is already cutting itself, even when we are deaf to it.

This is not to romanticise nature. It is to relocate cosmological power: to understand that the grammar of unfolding is not anthropocentric — and never was.


Learning to Listen With

The task is not to give voice to the more-than-human, but to relearn how to hear it — not as data, but as phasic symbolisation. This means cultivating new forms of attentiveness, new grammars of encounter:

  • Ethnobotany as semiotic apprenticeship.

  • Ecological restoration as ritual reconstrual.

  • Animism not as belief, but as relational literacy.

  • Seasonality not as weather report, but as phaseable grammar.

Living-with the more-than-human requires more than science or policy. It requires worlding otherwise — composing cosmoi in which humans are not the sole symbolic agents.

In the next post, we will ask what it means to craft mythos from here — in the aftermath of the clock, in the pluriverse of cosmoi, amid the phasing of more-than-human life.
What might symbolic life become — when it is no longer confined to time?


5 Mythos After Time

“Myth is not what we believe. It is what believes us.”

What remains, after time ends? After the colonial cut is revealed as a violent abstraction, after the more-than-human is restored to symbolic agency, after unfolding is reclaimed as the very texture of life — what remains?

What remains is mythos.
Not a return to old stories, nor a retreat into nostalgia — but the emergence of new symbolic grammars, forged in the aftermath of temporal conquest.

This final post invites us to linger here: not in time, but in unfolding. Not in recovery, but in reconstrual. And to ask: what does it mean to live symbolically — now — without the scaffolding of time?


The Mythic is Not the Primitive

Modernity taught us to associate myth with the past: primitive, pre-rational, obsolete. But this framing is itself a product of the temporal cut — of a worldview that treats abstract progression as the only form of development.

Myth, however, is not bound to chronology.
It is not a stage of history. It is a mode of worldmaking — one that never ended, even when it was repressed.

The mythic is not primitive. It is phasic. It phases the real through symbolic intensities: narrative, ritual, sacrifice, rebirth, encounter. It creates thresholds and thresholds create cosmos. Where time seeks continuity, myth cuts.

And where time is indifferent to meaning, mythos is saturated with it.


Mythos as Construal

In relational ontology, meaning is not found, but construed. It is not located in objects or in minds, but in the cut — the distinction that makes orientation possible.

Mythos is not a set of beliefs about the world. It is a symbolic construal of unfolding — one that enables a people, a place, a process to phase itself meaningfully.

  • A creation story is not a history; it is a symbolic grammar for becoming.

  • A taboo is not a rule; it is a cut that holds the cosmos in tension.

  • A ritual is not an act; it is a phase-transition in a semiotic ecology.

In this light, to craft mythos is not to imagine fanciful tales — it is to take up the responsibility of world-construal.
And in a pluriverse, there can be no single mythos — only co-emergent cosmoi.


Symbolic Life Without the Clock

If the clock is no longer our master, then what orients us?

Not a replacement universal. Not a new timekeeper. But shared phasecraft — relational grammars for living-with, living-as, living-through. Symbolic life becomes not a matter of deadlines and durations, but of attentions and thresholds.

It becomes possible to ask:

  • What are the rhythms of this forest, and how might I phase with them?

  • What are the sacred tensions in this community, and how are they held?

  • What cut must we now make, to symbolise our changed relation to the world?

These are not technical questions. They are mythic ones. They call not for solutions, but for orientations — not for certainty, but for meaningful unfolding.


After Time, We Make Cuts

To live without time does not mean to live in chaos. It means to live by the cut: to recognise that every act of meaning is a differentiation — and that we are always already phasing the world through our participation in it.

We do not need to return to old mythologies. But we do need to craft new ones — slowly, carefully, relationally. Mythos is not a relic. It is a method.

  • For sensing what matters.

  • For orienting in the pluriverse.

  • For cutting meaning into the flux of unfolding.

After time ends, mythos begins again — not as belief, but as responsibility: the responsibility to cut meaningfully, to phase with care, and to world otherwise.


Coda: On the Far Side of Time

“To end time is not to end the world. It is to let the world unfold otherwise.”

This series began with a question:
What becomes of meaning when time ends?

We have not answered it once and for all — because the question is not one of fact, but of orientation. It is a phasic question, not a temporal one. And every answer cuts the world differently.

We have seen how the idea of time — linear, abstract, colonial — severed unfolding from meaning. How it froze becoming into units, stripped processes of their symbolic force, and claimed the right to organise all life by its grid.

We have also seen how time was never a neutral measure — but a worldmaking force: one that enabled some lives to count, and others to be discounted.

But the clock is not eternal. Its authority is not absolute.
And it is failing.


The end of time is not a catastrophe.
It is a threshold. A portal. A moment of phasic reorientation.

When we no longer believe in time as a container, we begin to see the world again as unfolding — as process, phase, cut, and construal. We rediscover the symbolic life of the more-than-human. We remember that cosmology was always a shared act.

To step through this threshold is not to abandon all structure. It is to accept a different kind of responsibility:

  • To listen for phases rather than impose plans.

  • To construe rather than control.

  • To make meaning not once and for all, but again and again — in relation.


So what becomes of meaning when time ends?

It becomes ours to make again
with each cut, each gesture, each unfolding.

And in this, we are not alone.
The world is already phasing.

We are simply learning to hear it once more.

21 September 2025

Toward a New Mythos of Meaning

In our time, we find ourselves at a crossroads—a moment when the old stories no longer suffice, yet new stories remain elusive. Science has transformed our understanding of the world, but often at the cost of sidelining the very meanings that make that world livable. Meanwhile, ancient myths seem distant, their forms and functions misunderstood or dismissed.

This series invites us to explore a different path: toward a new mythos of meaning.

Drawing on insights from relational ontology, systemic functional linguistics, and semiotics, we will trace how meaning itself can be understood not merely as communication or representation, but as the evolution of possibility. Meaning is not a layer added onto a given world—it is the semiotic architecture through which worlds become possible and real.

Over six posts, we will examine:

  • How meaning unfolds as the systemic differentiation of potential.

  • Why possibility is structured, patterned, and constrained—not infinite chaos.

  • How myth functions as a semiotic system that shapes what is thinkable, sayable, and enactable.

  • The limits imposed by the “myth of the given” and the challenge of moving beyond it.

  • What it means to consider meaning-making as sacred—a fundamental act of world-formation.

  • How to live within a mythos of meaning that embraces responsibility, emergence, and relationality.

This is not a return to ancient cosmologies, nor a simple critique of modernity. It is a reframing: a call to rethink meaning as an ontological force, a dynamic system, and a living process.

Through this series, we hope to open a space for conversation—among scholars, practitioners, and seekers—about how we might inhabit this mythos, and how it might guide new ways of knowing, being, and creating.

We invite you to join us on this journey toward a new understanding of meaning—one that honours both rigour and imagination, precision and poetry, system and story.


1 Meaning as the Evolution of Possibility

What if meaning is not a layer added to the world, but the very condition through which a world becomes possible?

This question—orients the direction of this series. It invites us to step outside familiar binaries: between fact and interpretation, matter and mind, biology and culture. It asks us to stop treating meaning as something that occurs after the world is given, and instead to see meaning as what allows any “given” to emerge at all.

We often imagine evolution as the transformation of things over time: forms changing, species adapting, systems complexifying. But from a relational perspective, the deeper movement is not the evolution of things—it is the evolution of possibility.

That is: what can happen, what can be enacted, what can be construed, is not fixed. It is always structured, but never closed. Meaning does not just respond to reality; it reconfigures the field of what is real, what is sayable, what is thinkable, what is livable. And this reconfiguration is not incidental—it is ontological.

Meaning, in this view, is the semiotic differentiation of potential. It does not represent the world—it patterns its emergence. This is why language matters. Not because it names what already exists, but because it enacts systemic pathways through which experience can be brought into being.

From this angle, evolution is not just about organisms or cultures. It is about the deepening articulation of affordances: new ways of cutting, relating, valuing, realising. And every such articulation is a construal—a meaning-event that shifts the terrain of the possible.

We are not just living in a universe of matter and energy. We are living in a universe of meaning-potentials. And these potentials are not static. They evolve—not as outcomes of external processes, but as internal reorganisations of the semiotic field.

This is not metaphor. It is a change in how we think about system, construal, and emergence.

It is also the beginning of a new mythos: not a return to ancient cosmologies, but a way of inhabiting meaning as the very substance of reality’s becoming.

In the next post, we will explore what it means to treat possibility itself as systemic—not infinite or formless, but structured, ordered, and shaped by the conditions of meaning.


2 Possibility as System, Not Substrate

If meaning is the evolution of possibility, then we must ask: what is possibility?

In many traditions—scientific, philosophical, even spiritual—possibility is treated as a kind of substrate: a blank openness, a space of infinite potential out of which things emerge. This gives rise to metaphors of chaos, void, formlessness. But these metaphors mislead. They treat possibility as undifferentiated, raw, awaiting form.

Relational ontology offers another view: possibility is not formless—it is structured. It is not a passive background, but an active system. And like all systems, it has its own organisation, its own internal topology, its own affordances and constraints.

This means that what is possible is not arbitrary. It is not infinite. It is systemically patterned—shaped by interdependencies, tendencies, modalities, and strata. Not everything is possible at every point. Possibility is always constrained by system—but never reducible to mechanism.

To speak of “system” here is not to invoke determinism. In SFL, as in relational thinking more broadly, a system is not a machine—it is a theory of the instance: a structured potential, a field of virtual relations, within which actualisation may occur in many different ways.

When we say that a clause is a choice within the system of mood, or that a social act is a move within a field of values, we are already working with systemic possibility. Every instantiation is a cut—a selection from a potential that is meaningfully structured. That structure is what we call system.

So too with the world itself.

We can no longer treat possibility as a metaphysical default. It is neither chaos nor chance. It is a relationally ordered field, in which constraints are not limits but conditions for meaningful emergence. Possibility is what becomes available when systems differentiate themselves.

This shifts the role of meaning. Meaning does not merely refer to what is real. It organises what can be real. It structures the field of possibility—not just semantically, but ontologically.

And this is where the mythic dimension returns.

For what we call myth may in fact be one of the oldest and most profound human attempts to model possibility not as abstract freedom, but as patterned system. Myth does not tell us what is true or false. It tells us what is available to be meant—and how different patterns of meaning bring different worlds into being.

In the next post, we will explore this more fully: not myth as story, but myth as semiotic architecture—a construal of possibility that shapes what reality is allowed to be.


3 Mythos as Construal of Possibility

What is myth, if not story? And what is story, if not the unfolding of meaning through time?

To think mythologically is not to believe in gods or spirits or origin tales. It is to engage with the world through a systemic construal of possibility—to inhabit a patterned way of meaning the real.

Myth, in this light, is not a belief system. It is a semiotic system: a way of cutting the world, making distinctions, assigning value, projecting causality, locating self and other across dimensions of time, space, and relation. It is not reducible to narrative form, but narrative is one of its natural modes of instantiation.

What makes myth mythic is not its content, but its function: it patterns possibility.

A mythos is not a set of statements about the world. It is a relational grammar for how the world is to be meant. It construes what kinds of entities can exist, what kinds of events can unfold, what counts as meaningful action, what scales of time and space are available for human participation.

In this sense, every worldview—scientific, religious, ideological, philosophical—is also a mythos: not because it is fictional or irrational, but because it offers a systemic organisation of meaning-potential. It tells us not just what is, but what could be, what should be, what must never be. It is a construal of the possible.

Modernity, in attempting to rid itself of myth, did not eliminate it. It simply disavowed the construal. It re-enacted mythic patterns—of progress, rupture, purification, mastery—while denying their semiotic nature. This is the legacy of the literalist cut: myth was recoded as falsehood, and thus stripped of its power as a construal system.

But myth was never about truth or falsehood. It was about structuring fields of emergence—creating orientations to time, space, value, and causality that made certain lived realities possible.

To reconceive myth as semiotic architecture is to recover its role as a meaning-system—one that does not merely explain the world, but shapes how the world becomes available to experience. Myth construes the boundaries of self, society, cosmos, and the sacred—not by asserting facts, but by patterning construal.

And in doing so, it conditions what it is possible to be.

This is why myth cannot be replaced by science. They do not operate at the same level. Myth is not a competitor to explanation—it is a prior construal of what counts as explainable, what counts as agentive, what counts as real. Every scientific paradigm rests on such patterned assumptions. So too does every politics, every religion, every theory of mind.

The question, then, is not whether to live within a mythos—but which ones we are already living within, and what they make possible or impossible.

In the next post, we will examine one of the most pervasive and restrictive mythic grammars of the modern world: the myth of the given—and the need to cut against it.


4 Cutting Against the Myth of the Given

There is a myth at the heart of modern thought. It does not wear the name of myth—indeed, it wears the name of truth. But it functions as all mythoi do: by shaping what is taken to be real, obvious, and beyond question.

This is the myth of the given.

The myth of the given insists that the world is already there: fully formed, pre-structured, knowable in principle and observable in fact. It teaches that reality is something we discover, not something we enact. Meaning, on this view, is a secondary layer—an interpretive veil cast over what is already objectively the case.

This myth is not just philosophical; it is deeply cultural. It underlies the logic of measurement, the authority of data, the fetish of objectivity. It feeds the fantasy that truth is what remains when all construal is stripped away.

But this fantasy is itself a construal—and a particularly powerful one. For by disavowing the role of meaning in the making of reality, it renders invisible the semiotic systems that structure the real. It pretends to speak from nowhere, while reinforcing a very particular somewhere: a world of bounded objects, discrete subjects, and linear causality.

To cut against this myth is not to abandon truth, but to reorient truth within the dynamics of construal.

Relational ontology makes this move explicit: what we take to be real is not passively received, but enacted through patterned meaning-relations. There is no unconstrued reality to fall back on—only different cuts, different systems of potential, different instantiations of experience.

This does not mean that anything goes. Quite the opposite. Once we recognise that all actuality arises from within systems of potential, we can begin to ask: What are the structures of possibility that condition this event? What are the systems through which this meaning becomes actual?

This is the move from description to systemic construal.

It is also a mythic move—not in the sense of fiction, but in the sense of founding logic. For every ontology rests on cuts: distinctions between what is and what is not, what counts and what does not. The myth of the given hides its cuts. A new mythos must bring them to light.

And here lies our task: not to reject myth, but to reconstrue it systemically—to build new architectures of possibility that do not pretend to speak from nowhere, but that speak from within meaning itself.

Such a project is neither nostalgic nor utopian. It is ontological. It invites us to inhabit meaning not as a veil over reality, but as the medium through which reality becomes—an open system, evolving, patterned, lived.

In the next post, we’ll ask: what kind of mythos might emerge if we took systemic construal itself as sacred? What if the deepest ritual were the act of making meaning?


5 When Meaning-Making Becomes Sacred

What happens when we take the act of meaning itself as sacred?

Not sacred in the sense of sanctified by religion, or protected by ritual taboos—but sacred in the deeper, systemic sense: as that which orients possibility, that which grounds worlds.

Traditional mythologies have often located the sacred in a realm beyond the human: the divine, the eternal, the transcendent. But a relational ontology has no “outside” in which to place the sacred. There is no ultimate reality beyond the cut—no cosmic substrate untouched by meaning.

Instead, the sacred must be understood within the system: not as a thing, but as a function—a way of organising meaning that reorganises possibility.

In this view, the sacred is not that which stands apart from meaning-making, but that which draws attention to it. It is the moment when meaning is no longer transparent, no longer taken for granted. The sacred is the flare of construal becoming visible.

This transforms ritual.

A ritual is not merely a repetition of inherited forms. It is an act of systemic re-alignment: a way of selectively actualising a field of potential, of marking a construal as consequential. When we light a candle, speak a name, cross a threshold—we are not simply expressing feeling. We are performing a cut. We are making meaning as if it mattered.

What if all meaning-making were like this?

What if every construal—linguistic, social, conceptual—were understood not just as functional, but as formative? What if to mean were to participate in the shaping of reality itself?

This would require a new grammar of sacredness. Not a grammar of purity, hierarchy, or transcendence—but a grammar of responsible construal: one that recognises the ethical force of each meaning-choice, not as moral pronouncement, but as ontological participation.

In this mythos, the sacred is not a fixed domain. It is a dynamic infolding of system and instance—a site where potential is opened, felt, cut, and reconfigured.

To treat meaning-making as sacred is to take seriously the insight that we do not live in a world, but in a construal of world. It is to honour the systems that make meaning possible—not as abstractions, but as lived architectures of becoming.

And perhaps this is what myth was always reaching for—not a supernatural order behind the real, but a heightened attention to the patterned nature of reality itself. Myth made meaning visible. It sacralised the cut.

In the final part of this series, we will ask: how might a new mythos for meaning itself take shape—not as a story we tell, but as a system we live?


6 Living a Mythos of Meaning

We have journeyed through the evolution of possibility, systemic construal, myth as semiotic architecture, the challenge of the myth of the given, and the sacredness of meaning-making. Now we arrive at the heart of the question: what does it mean to live a mythos of meaning itself?

To live a mythos is not to adopt a fixed story or ideology. It is to inhabit a relational architecture—a dynamic system of patterned potentials that shape what can be thought, felt, and enacted.

Such a mythos acknowledges that reality is not pre-given, but enacted through meaning. It recognises that every act of construal is a creative cut, an instance of systemic potential actualising itself in particular ways. Meaning is not a passive reflection; it is ontogenetic.

Living this mythos means embracing the responsibility and the possibility inherent in our ongoing acts of construal. It means becoming aware of the systemic patterns we participate in, and the affordances they open or foreclose. It is an invitation to co-create worlds with intention and insight.

This new mythos is not confined to language, nor to human cognition alone. It encompasses the interplay of systems at all scales: biological, social, cultural, symbolic. Meaning-making is the connective tissue of reality’s becoming.

In practice, living this mythos might look like:

  • Cultivating attentive awareness of how meanings are made and remade in everyday life.

  • Engaging with the systemic potentials of language, ritual, art, and science as ways of enacting new possibilities.

  • Recognising the interdependence of meaning and materiality, where symbolic action shapes embodied experience and vice versa.

  • Embracing the open-endedness of potential, resisting closure and dogma in favour of ongoing emergence.

  • Honouring the sacredness of construal as an ethical and ontological act.

In this way, the mythos of meaning is a living system—not a relic of the past, but a generative matrix for future worlds.

It is a call to rethink what it means to know, to believe, to imagine, and to be. To reimagine meaning not as a property of language alone, but as the evolving fabric of reality itself.

And in doing so, to open the way for a new kind of human engagement: one that is at once rigorous, poetic, and profoundly relational.


An Offering to the Conversation: Meaning Beyond the Mechanism

This series—Toward a New Mythos of Meaning—emerged from a simple but radical question: what if meaning is not a human overlay on an otherwise neutral world, but the very medium of its becoming?

In this, the series aligns itself with a wider and growing conversation: one that refuses the closure of mechanistic metaphysics, and that seeks to recover the possibility of reality as alive, patterned, emergent, and meaningful.

Among those voices, Rupert Sheldrake’s work stands out—not because of any shared theoretical framework, but because of a shared impulse: to ask what lies beyond the assumptions we’ve inherited, and to take seriously the idea that form, order, and novelty are not imposed from outside, but arise from within a field of evolving possibility.

Like Sheldrake’s critique of the “scientific creed,” this series challenges the notion that reality is best understood as passive, mechanical, and given. But rather than propose an alternative set of empirical hypotheses, it offers a semiotic reframing: a way of understanding meaning itself as systemic, ontological, and evolutionary.

We do not need to return to older cosmologies, nor invent a new metaphysics out of thin air. What we need is a renewed appreciation of meaning as a primary mode of being—not a by-product of brains, but the patterned articulation of potential at every level of system.

This is not a metaphor. It is not mysticism in disguise. It is an invitation to rethink what it means to know, to be, to evolve—and to do so with care, rigour, and humility.

To those, like Sheldrake, who have kept the doors open—sometimes at great personal cost—this series offers itself not as critique or correction, but as resonance: another wave in the field, another cut through the possible, another step in the evolution of meaning itself.