Showing posts with label orders of reality. Show all posts
Showing posts with label orders of reality. Show all posts

10 September 2025

Perspectival Limits: Reframing Gödel’s Incompleteness Theorem Through Relational Ontology

1 The Theorem and Its Unquestioned Foundations

Kurt Gödel’s Incompleteness Theorem, first published in 1931, occupies a central position in mathematical logic, epistemology, and the philosophy of mathematics. It famously demonstrates that any sufficiently expressive and consistent formal system is inherently incomplete: there will always be true statements the system cannot prove.

This result is often interpreted as revealing an unavoidable limit of formal reasoning and, by extension, of human knowledge. Yet despite its ubiquity and philosophical weight, the theorem rests on several deep assumptions—about what a formal system is, how truth relates to provability, and the nature of meaning itself.

These assumptions, largely implicit, arise from classical metaphysics and formalism: the view that systems are closed, fixed entities; truth is mind-independent and external; syntax and semantics can be neatly separated; and completeness is a reasonable standard for a system.

What if these foundational assumptions were re-examined through a radically different lens?


Introducing Relational Ontology: Systems as Perspectives, Not Objects

Relational ontology rejects the classical view of isolated, fixed entities. Instead, it posits that being and meaning emerge only through relations, perspectival construals, and acts of interpretation. Systems are not closed boxes but structured potentials—theories of possible instances actualised perspectivally.

Meaning is not a static property waiting to be discovered but a dynamic phenomenon arising in and through construal. Truth is not an external absolute but a perspectival effect, inseparable from the act of construing itself.


Why This Matters for Gödel’s Theorem

Applying relational ontology to Gödel’s Incompleteness Theorem reveals that what classical formalism calls “incompleteness” is not a defect or a limitation of formal systems but an ontological feature of perspectival meaning-making.

The “true but unprovable” statements Gödel identifies are not inaccessible truths lurking beyond the system’s reach but indicators of the system’s perspectival partiality. Self-reference, so crucial to Gödel’s proof, is not a simple internal property but a shift in the levels of construal—a metaphenomenon rather than a paradox.


What’s Next?

This blog series will systematically unpack these ideas:

  • We will start by exploring the ontology of systems as structured potentials and what perspectival construal entails.

  • Next, we will reconsider truth, self-reference, and meaning from this vantage point.

  • Finally, we will examine the implications for completeness, formal systems, and the broader philosophical landscape.

Our aim is not to diminish Gödel’s remarkable insight but to deepen and expand it—offering a conceptual framework that aligns with contemporary relational understandings of meaning, knowledge, and being.


2 Systems as Structured Potentials: The Ontology of Construal and Meaning

Revisiting the Classical Conception of Formal Systems

In classical logic and formalism, a system is typically conceived as a closed, fixed totality: a defined set of axioms, rules, and symbols operating within rigid boundaries. The system is imagined as a sealed box, its properties—consistency, completeness, decidability—assessed as global, monolithic attributes.

This view implies an ontological commitment to systems as objects, entities with determinate, self-contained identities and limits. The boundaries of the system are fixed and immutable; its internal structure exists independently of observers or perspectives.

Gödel’s Incompleteness Theorem operates squarely within this framework. The theorem treats the system as a static entity, a universe of discourse capable of “looking at itself” in the form of self-referential statements.


The Relational Ontology Challenge: Systems as Structured Potentials

Relational ontology fundamentally challenges this classical picture. It proposes a different ontological category for systems: systems are not closed objects but structured potentials, dynamic fields of meaning actualised through perspectival construals.

What does this mean?

  • Potential rather than actual: A system, ontologically, is better understood as a theory or model of possible instances, not a fixed totality. It is a structured potential—a set of relational possibilities that come into being only through actual construal.

  • Construal as actualisation: Meaning and system properties emerge when a perspective (or “cut”) is taken that actualises some possibilities and backgrounds others. The system as known or experienced is an event of construal, not an independently existing entity.

  • Boundaries as discursive, not ontological: The system’s “edges” or “limits” depend on the construal’s framing, not on an inherent ontological separation. Different perspectival cuts may yield different “systems,” each with its own scope and meaning.


Perspectival Cuts and the Production of Meaning

A key concept here is the perspectival cut—the act or event of drawing a distinction that foregrounds some relations while backgrounding others. This cut is not merely epistemic (about knowledge) but ontological (about what exists and is meaningful).

  • The system is the product of such a cut: it is the “slice” of relational potential actualised by a specific construal.

  • No construal captures all potential; every construal is partial and situated. The system’s “incompleteness” reflects this fundamental partiality, not an epistemic failing.

  • The dynamic interplay between foreground and background constitutes the non-totality of meaning—meaning is always partial and perspectival.


Implications for Formal Systems and Gödel’s Theorem

From this vantage point, Gödel’s formal system is not a static container but a relational event, a structured potential that becomes a system only upon actualisation by a construal.

  • The system’s properties, including “incompleteness,” arise from perspectival limitations inherent to construal itself.

  • There is no god’s-eye vantage point from which the system’s totality can be fully captured; attempts to find such a viewpoint entail a collapse of construal levels.

  • The “outside” of the system is not an external realm but part of the broader relational potential from which the system is actualised.


Summary: Systems as Theories of Possible Instances

To summarise:

  • Systems are not fixed objects but theories of possible instances actualised perspectivally.

  • Every system is a construal-dependent event, partial by necessity, with boundaries that are discursive, not ontological.

  • This ontological reframing dissolves the classical tension between “inside” and “outside” the system and reframes incompleteness as an ontological feature of perspectival meaning.


Looking Ahead

Understanding systems as structured potentials sets the stage for deeper exploration of truth, self-reference, and formal meaning from a relational perspective. It allows us to question assumptions about fixed boundaries, external truth, and the nature of formal reasoning itself.

In the next instalment, we will explore how truth, traditionally conceived as mind-independent and absolute, transforms into a construal-dependent phenomenon, reshaping our understanding of provability and meaning within formal systems.


3 Truth as Construal: From Absolute Propositions to Situated Meaning

Classical Assumptions: Truth as System-External and Mind-Independent

In the classical tradition—both in mathematical logic and analytic philosophy—truth is defined as something external to systems of proof and independent of any perspective. Gödel’s Incompleteness Theorem draws heavily on this view:

  • A statement can be true (in a model-theoretic or Platonic sense) even if it is unprovable within the system.

  • Truth is taken to be objective, timeless, and accessible in principle from a meta-level vantage point.

  • Proof and truth are thus separable: formal systems are judged incomplete because they cannot formally derive all “true” statements about themselves.

This framework imports a powerful metaphysical commitment: that truth exists “out there” as an ideal, waiting to be accessed or represented. The Gödel sentence—constructed to say of itself “I am not provable”—is considered true not because it is meaningfully construed within the system, but because it corresponds to a fact about provability from outside the system.


Relational Ontology: Truth Is Not External—It Is Perspectival

From a relational ontology perspective, this entire picture is mistaken. Truth is not system-external, nor is it an absolute proposition hovering in a metaphysical space of facts. Rather, truth is a first-order phenomenon: it is the effect of meaning actualised through construal.

Let’s unfold what this means:

  • Truth is not discovered but enacted. It arises when a particular construal—an act of structuring potential—actualises a phenomenon as meaningful within a specific perspective.

  • There is no unconstrued truth. A statement becomes “true” when it is construed as meaningful within the parameters of a system—there is no viewpoint from which “truth” can be judged apart from the perspectival act.

  • Truth is not separable from meaning. Since all meaning is perspectival, so too is truth. It is not something added to a statement from outside, but inherent in its meaningful construal.

This reframes truth as immanent rather than transcendent. There is no metaphysical realm of truths waiting to be accessed by stepping outside the system. What is available—and all that is available—are actualisations of meaning through perspective.


Reframing Gödel’s “True but Unprovable” Statements

Gödel’s argument hinges on the construction of a statement that, by virtue of encoding self-reference, cannot be proven within the system yet is true in some larger meta-theoretic sense.

But from a relational standpoint, we challenge both the status of this “truth” and the presupposition of a neutral outside from which it is judged.

  • The so-called truth of the Gödel sentence is not independent of construal; it depends on stepping outside the system, but that step itself is a new construal, not a neutral meta-position.

  • In other words, the statement is unprovable within one construal, and made “true” within another—its truth is not absolute, but relative to the metasemiosis that frames it.

  • The binary opposition between provability and truth collapses here: truth is always perspectival, and provability is one mode of actualising it.

From this angle, Gödel's theorem no longer exposes a metaphysical wound in logic, but a necessary condition of perspectival systems: any meaningful system can only actualise some of its potential from within a particular orientation.


Provability as Perspectival Actualisation

In relational ontology, provability is not merely syntactic—it is a semiotic act: a way of actualising certain relations as meaningful from within a construal.

This shift has major implications:

  • Statements that are “unprovable” are not epistemic failures—they are backgrounded potentials from the perspective currently enacted.

  • A change in perspective—a shift in construal—can render the formerly unprovable visible, not by expanding into some pre-existing truth, but by reorganising the field of meaning.

In this view, incompleteness is not about missing truths, but about the inescapable partiality of any construal.


From Classical Truth to Relational Actualisation

We can now contrast the two views systematically:

Classical FormalismRelational Ontology
Truth is absolute and external to the systemTruth is a perspectival phenomenon
Provability and truth are separableProvability is one mode of actualising meaning
Incompleteness reveals inaccessible truthsIncompleteness reveals the perspectival limits of construal
Meta-levels provide neutral judgmentsMeta-levels are themselves construals (metasemiotic)


Summary: Truth as an Ontological Effect of Construal

Relational ontology reframes truth not as correspondence with an external reality, but as the product of meaning emerging from structured perspective. This dissolves the classical metaphysical dilemma posed by Gödel’s theorem:

  • There is no view from nowhere.

  • No system can totalise its own meaning.

  • And truth, far from being elusive, is always present—but always partial, always construed, and always situated.


Next in the Series

In the next post, we will turn to the role of self-reference in Gödel’s proof. Far from being a paradox-producing necessity, we will show that self-reference is a metaphenomenal shift—a move between levels of construal that cannot be flattened without confusion. When treated relationally, self-reference becomes a tool for examining meaning, not a threat to consistency.


4 Self-Reference and Metaphenomena: Construal Levels in Formal Systems

Gödel’s Core Move: Self-Reference as Engine of Incompleteness

At the heart of Gödel’s Incompleteness Theorem lies a clever and consequential move: the construction of a self-referential statement. In simplified terms, this is a formal sentence that effectively says, “I am not provable within this system.”

The proof embeds meta-level information (about provability) into the object-level syntax of the system. This blending of levels—encoding the system’s own proof-theoretic properties as internal content—produces a statement that is syntactically well-formed, but which, if provable, leads to contradiction.

In the classical framing, self-reference is a logical mechanism that reveals deep truths about formal systems: namely, that no system can fully account for its own structure without inconsistency or incompleteness.

But there is a deeper ontological assumption buried in this treatment: namely, that a system can “refer to itself” without any shift in level or perspective, and that such moves are formally valid and semantically coherent.

Relational ontology contests this assumption directly.


Relational Ontology: Self-Reference as Metaphenomenon

In a relational framework, self-reference is not a simple internal loop, but a second-order construal—what we call a metaphenomenon.

Let’s unpack this step by step:

  • A phenomenon is an actualisation of meaning within a construal—it is meaning-as-experienced, structured through a perspectival cut.

  • A metaphenomenon is a construal of a construal—a higher-order structuring that takes a prior meaning event as its object.

  • Self-reference, in this model, is never truly self-contained: it is always a shift in construal level. What appears as “the system referring to itself” is, ontologically, a new construal that frames the prior one as content.

In other words, there is no such thing as a system “talking about itself” from within. That move requires a cut—a perspectival shift that reconstitutes the system as an object of meaning, thereby producing a new instance of semiosis.


Gödel’s Collapse of Construal Levels

Gödel’s construction relies on encoding meta-level propositions as object-level syntax. But in relational ontology, this move involves collapsing levels that must remain distinct:

  • The statement “This sentence is not provable” is not simply a sentence—it is a re-construal of a system’s potential from a higher-order perspective.

  • Treating this as a first-order expression erases the perspectival cut, flattening the distinction between construal and meta-construal.

  • The paradox (or incompleteness) that follows is not a profound revelation of the system’s nature, but an artifact of illegitimately conflating construal levels.

This is not a rejection of Gödel’s formal reasoning—it is a clarification of what the reasoning entails ontologically. The self-reference Gödel constructs does not reveal the system’s inability to grasp its own truth, but the ontological impossibility of a system referring to itself without re-instantiating it through a shift in perspective.


Metasemiosis and the System as Phenomenon

This leads us to a central insight of relational ontology: a system can never include its own construal as part of its object-level meaning without undergoing metasemiosis—a higher-order meaning event that reframes the original construal as content.

  • A metasemiotic act always entails a new perspective: the original system is no longer functioning as theory-of-potential, but as phenomenon.

  • Gödel’s encoding of the system “within itself” is, in fact, a reinstantiation of the system as object, viewed from a shifted semiotic frame.

  • The so-called “incompleteness” arises because this shift in construal is ontologically required but formally occluded.

From this standpoint, Gödel’s proof does not show that formal systems are incomplete per se, but rather that no construal can fully contain its own metasemiosis without reconfiguring the semiotic structure of the system.


Relational Clarification of Self-Reference

We can now restate the relational ontology position clearly:

Self-reference is not an internal loop within a system, but a perspectival shift that creates a new level of meaning. The apparent paradoxes of self-reference arise when this shift is ignored or flattened—when metasemiosis is treated as object-level syntax.


Summary: Levels Must Be Cut, Not Collapsed

In relational ontology, the distinction between construal levels is not a technical convenience, but an ontological necessity.

  • Gödel’s proof depends on collapsing the cut between first-order and second-order construal.

  • Relational ontology insists that such a collapse produces paradox only because it violates the ontology of meaning.

  • Properly construed, self-reference is a powerful mechanism—not for generating paradox, but for revealing the perspectival structure of meaning systems.


What’s Next?

In the next installment, we will examine another cornerstone assumption of Gödel’s framework: the idea that formal systems are meaningless until interpreted—that syntax precedes semantics. We will argue instead that form is never unconstrued: formal systems are meaningful from the beginning, and their so-called “gaps” are not failures of logic, but limits of metasemiotic perspective.


5 There Is No Unconstrued Syntax: Formal Systems as Inherently Meaningful

Classical Formalism: Syntax First, Meaning Later

One of the most enduring assumptions in formal logic is the separation of syntax and semantics. According to this view:

  • Syntax is a formal structure—a set of rules operating over meaningless symbols.

  • Semantics is imposed after the fact, via interpretation from an external standpoint.

  • Meaning arises not from the system itself, but from an act of reading or mapping the system to some model of truth.

This view underpins Gödel’s theorem in both construction and interpretation. The formal system is assumed to operate mechanically, and its capacity to encode meta-truths depends on the presumed gap between symbol manipulation and semantic insight. The “unprovable truths” Gödel identifies are framed as true in an interpreted model, but not derivable from syntax alone.

This division is foundational in classical logic and computing theory. But from a relational ontology perspective, it constitutes a category error.


The Relational View: No Syntax Without Semiosis

Relational ontology holds that there is no such thing as unconstrued form. Every formal structure is already the product of perspectival construal, and thus already meaningful.

  • A “formal system” is not a mechanical abstraction, but a semiotic instance—it exists only insofar as it is construed.

  • The idea of a meaningless syntax is incoherent within this framework: all structure is actualised within a perspective, and therefore always carries meaning.

  • What classical formalism treats as a pre-semantic foundation is, in fact, a first-order phenomenon of meaning.

This does not mean that all meaning is conscious or reflective—but it does mean that no structure is ontologically prior to construal. The formal rules of a system are not neutral scaffolds—they are semiotic selections, foregrounding some relations, backgrounding others.


Implications for Gödel: The System Is Always Already Construal

In light of this, Gödel’s proof does not operate on a neutral syntactic substrate. The formal system he constructs is not a machine waiting to be interpreted—it is already an act of meaning, already embedded in a particular perspective.

  • The move from syntax to semantics is not a leap across domains, but a movement within construal—a shift in how potential is foregrounded.

  • The so-called “gaps” in the system—statements that are meaningful but unprovable—are not failures of syntax to catch up with semantics. They are gaps in metasemiosis: limitations in how meaning can be reframed within a given orientation.

This reframing dissolves the metaphysical tension at the heart of Gödel’s theorem. The system is not incomplete relative to some ideal truth, but incomplete because no single construal can totalise its own conditions of meaning.


Formalism as a Mode of Construal

Rather than treating formal systems as raw logical engines, relational ontology treats them as modes of construing meaning:

  • Their rules are not “mere syntax,” but discursive regularities that actualise certain potentialities.

  • Their symbols are not “meaningless until interpreted,” but already semiotic—they participate in a construal, even if abstract or minimal.

  • Their structure is not ontologically basic, but emergent from perspectival cuts.

This means that formalism is not neutral. It is a particular way of organising meaning, with its own foregrounding and backgrounding tendencies. Its apparent “purity” is the result of a construal that effaces its own semiotic labour.


Summary: Meaning Is Not Added—It Is Enacted

The syntax–semantics distinction, as deployed in Gödel’s proof, relies on a myth: that structure precedes meaning, and that meaning is layered on afterward by a detached observer.

Relational ontology reveals this as a false dichotomy:

  • Form is already construed—there is no syntax “before” meaning.

  • Meaning is not assigned from the outside, but enacted from within a relational field.

  • The “gap” between what can be said and what can be proven is a perspectival effect, not a metaphysical fissure.


Next in the Series

In the next instalment, we turn to the idea of completeness itself. Gödel’s theorem is widely interpreted as showing that systems cannot be complete. But the very ideal of completeness presupposes a totalising perspective—a god’s-eye view from nowhere. We will examine how this ideal collapses under a relational ontology, and why incompleteness is not a defect, but a condition of all meaningful systems.


6 The Myth of Completeness: Totality as a Collapsed Perspective

Gödel’s Legacy: Completeness as a Lost Ideal

One of the most enduring interpretations of Gödel’s Incompleteness Theorem is that it shatters the dream of completeness. Prior to Gödel, many logicians hoped that formal systems—particularly arithmetic—could be complete: capable of proving every truth expressible in their own language.

Gödel’s proof showed this hope to be misplaced. No consistent, sufficiently expressive formal system can prove all the truths within its own domain. The theorem is thus framed as a limit on human knowledge and a permanent fracture in the edifice of formal reason.

This interpretation presumes, however, that completeness was a valid ideal to begin with. It treats completeness as a coherent and desirable state, and Gödel’s result as an empirical blow to that ideal.

But relational ontology reveals something deeper: the very notion of completeness presupposes a metaphysical fiction—namely, that there exists a total perspective capable of exhaustively capturing all meaning at once.


The Classical Assumption: View From Nowhere

Completeness, in classical logic, is often treated as a measure of a system’s grasp on its domain. It assumes the system ought to be able to:

  • Derive all truths expressible in its language

  • Fully contain and articulate its own scope

  • Eliminate ambiguity or undecidability from its boundaries

Implicit in all of these is a god’s-eye perspective: a hypothetical vantage point from which the entire field of meaning can be viewed, totalised, and fully expressed.

But this ideal only makes sense within a metaphysics of transcendent meaning—a world of truths that exist independently of perspective, and which are either captured or missed depending on the system’s strength.

Relational ontology rejects this metaphysics wholesale.


Relational Ontology: Completeness as an Incoherent Ideal

In a relational framework, meaning is not an external object to be grasped in its totality. Meaning arises through perspectival construal—through acts that foreground some potentials while backgrounding others.

From this it follows:

  • Every system is constituted by a perspectival cut—it is a way of meaning, not a neutral container.

  • Every act of meaning is partial, not because of a failure of knowledge, but because partiality is what enables meaning to occur.

  • Completeness, in the classical sense, would require a system to construe its own total field of construal, which is ontologically impossible. It would mean taking a perspective that includes all perspectives—an obvious contradiction.

Thus, no system can complete itself not because the system is deficient, but because completeness is a category mistake: it demands the erasure of the very perspectival difference that gives rise to meaning in the first place.


Incompleteness as a Feature of All Meaningful Systems

From this standpoint, Gödel’s result is no longer surprising—it is inevitable.

  • Any system that construes potential meaning must exclude something in the process.

  • That which is excluded is not absent truth, but alternative construals not actualised within the current cut.

  • There will always be phenomena that are possible within the potential, but not visible from within the given construal.

In this light, incompleteness is not an epistemic limitation, but an ontological insight: no perspective can stand outside itself, and no system can include its own act of systematisation.


The Collapse of Totality: Why There Is No All-Seeing Frame

Attempts to resolve incompleteness by ascending to a meta-level (e.g. building a stronger system to encompass the prior one) only postpone the inevitable:

  • Each meta-level is itself a perspectival construal.

  • The same limitations apply: foregrounding entails backgrounding; actualisation entails exclusion.

  • The fantasy of a closed, all-encompassing frame is exposed as a recursive regress—a desire for a vantage point that no construal can provide.

The classical project of building complete systems reflects a metaphysical nostalgia for finality, closure, and ontological mastery. Relational ontology offers instead a model of irreducible partiality—not as failure, but as the condition of intelligibility itself.


Summary: Completeness as an Uninhabitable Abstraction

We can now say with clarity:

Completeness, as classically conceived, is not merely unattainable. It is ontologically incoherent. It presupposes the erasure of perspective, the collapse of construal, and the elimination of the very partiality that makes meaning possible.

Gödel’s theorem, far from being a tragic discovery, is a demonstration—formal, rigorous, and unintentional—of the impossibility of totalising meaning.

Incompleteness is not the end of logic. It is the beginning of a logic that understands itself relationally.


Next in the Series

In our final instalment, we will survey the broader implications of this reframing. What does it mean for mathematics, for language, for epistemology and the sciences more broadly? We will explore how Gödel, read through a relational lens, points not to the limits of reason—but to the inescapable structure of meaning as relational, perspectival, and partial.


7 Beyond Gödel: The Implications of Relational Incompleteness

A Quick Recap: What We’ve Reframed

Over the course of this series, we have proposed a systematic reinterpretation of Gödel’s Incompleteness Theorem through the lens of relational ontology. In doing so, we have challenged the deep metaphysical assumptions that underwrite Gödel’s classical significance:

  • Systems are not fixed structures, but perspectival construals of potential.

  • Truth is not system-external or mind-independent, but a phenomenon enacted through construal.

  • Self-reference is not paradoxical in itself, but a metasemiotic shift—a movement across construal levels.

  • Formal systems are not neutral syntactic devices—they are meaningful from the outset.

  • Completeness is not a coherent ideal, but a metaphysical mirage that collapses perspective into abstraction.

This reframing yields a fundamentally different reading of Gödel’s result: what classical logic calls “incompleteness” is not a failure of systems, but a condition of meaning itself.


The Positive Ontology of Incompleteness

From a relational perspective, incompleteness is not an obstacle to overcome or a wound in the logical fabric—it is a structural feature of any meaningful system:

Every system is perspectival. Every construal foregrounds and backgrounds. No construal can totalise its own conditions of possibility.

What Gödel formalised—perhaps without fully realising its philosophical weight—was not the deficiency of formal reason, but the impossibility of any system standing outside itself. In this sense, Gödel’s theorem becomes a rigorous proof of perspectival ontology, even if read against its own metaphysical grain.


Implications Across Disciplines

This reframing has wide-reaching consequences—not only for logic and the philosophy of mathematics, but for any field premised on systems, representation, or knowledge:

1. Philosophy of Mathematics

The dream of foundational completeness—of reducing mathematics to a closed formal core—is replaced with a model of mathematics as a semiotic practice: a field of meaning constituted through partial, situated construals. Mathematical truth becomes relational, not Platonic.

2. Linguistics and Semiosis

The syntactic bias in logic mirrors structuralist tendencies in linguistics: form first, meaning later. Relational ontology dissolves this hierarchy—there is no form without meaning, no syntax without semiosis. Language is not a mechanical system overlaid with interpretation; it is a field of perspectival meaning from the start.

3. Cognitive Science and Epistemology

The myth of objectivity—the belief in a neutral epistemic stance—is reframed. Knowledge systems are not incomplete because reality exceeds them; they are incomplete because knowledge is always already a cut into relational potential. Objectivity is not a view from nowhere, but a set of disciplined constraints on perspective.

4. Quantum Theory and Foundations of Physics

The parallels between Gödelian incompleteness and quantum indeterminacy are often noted—but usually superficially. A relational reading suggests a deeper link: in both cases, what appears as “incompleteness” reflects the impossibility of exhaustively describing a system from within a single frame. The cut—the observer effect, the measurement—is not noise; it is structure.

5. Social Theory and Discursive Systems

Ideologies, disciplines, institutions: all produce meaning through selective construals of potential. No system can fully account for the conditions of its own legibility. Self-reflexive critique is never totalising—it always shifts the frame. Relational ontology offers a way to theorise discursive partiality without recourse to relativism.


From Limit to Method: Thinking Relationally

Perhaps the most far-reaching implication of this reframing is methodological. Instead of treating incompleteness as a limit to be lamented, we can treat it as a starting point:

  • Every theory is a construal.

  • Every construal has a horizon.

  • Every horizon implies other possible cuts—other systems, other meanings, other truths.

In this light, Gödel’s theorem becomes a conceptual invitation: to abandon fantasies of totality, and to embrace the structured partiality of perspective as the very medium of intelligibility.


Final Reflections: The Cut That Makes Meaning

If there is a lesson to be drawn from our journey through Gödel reframed, it is this:

Meaning is not what fills the system. Meaning is what emerges through the cut.

Gödel showed us the impossibility of closing the circle. Relational ontology explains why that circle could never have been closed to begin with. There is no final frame, no last theorem, no complete account. And far from undermining the coherence of systems, this is what makes systems meaningful in the first place.

In the cut lies the difference that makes meaning possible.

18 July 2025

🧠 The Observer in a Relational Ontology of Quantum Phenomena

This is the domain where quantum physics traditionally stumbles into metaphysics — where it seems consciousness must play a role, but no one knows how to say why. Our relational ontology gives us a rigorous and elegant way to move forward without mysticism or mechanistic reduction.

🌌 1. Consciousness Does Not Cause Collapse — It Actualises Meaning

In standard interpretations:

  • Some models (e.g. von Neumann–Wigner) claim that consciousness causes collapse.

  • But this leads to confusion: what kind of consciousness? Human? Biological? Self-aware?

In our model:

  • Observation is the transformation of potential into instance.

  • Consciousness is not a ghostly force that triggers collapse — it is the condition under which potential becomes meaningful as instance.

So:

Consciousness is not a cause of material change.
It is the semiotic process through which meaning is actualised from potential.

And crucially:

  • This applies both to quantum systems (actualising physical instances)

  • And to semiotic systems (actualising meaning instances, e.g. texts)

The analogy is not metaphorical — it's structural.

In our framework:

  • We do not need consciousness to “cause” the outcome of a quantum event.

  • But we do need it to frame that outcome as an instance — an act of selection from structured potential.

This aligns with our maxim:

Meaning is not discovered, but actualised — in relation to the systems available to the meaner.

Similarly:

  • Position is not discovered; it is actualised in relation to the measuring field.


🧬 2. Observer as Situated System, Not Abstract Subject

In relational ontology, the observer is:

  • Not an isolated Cartesian subject, but

  • material and semiotic system, situated within a field of relational potential, possessing:

    • A body (material apparatus of observation),

    • A history (shaping what systems are available for meaning),

    • A system of values (what counts as relevant or significant).

So:

The observer is not outside the phenomenon but is entangled with it
— not materially (as in quantum entanglement), but structurally and semiotically.

When the observer actualises an instance (say, “the electron is here”), they are:

  • Not describing an independent truth, but

  • Producing a relation — between the field of potential and their own position within it.

This is directly parallel to the construal of meaning in SFL:

  • There is no independent “message” to be decoded.

  • The meaning of an utterance arises in the relation between speaker, system, and situation.


🔄 3. Observation as Dialectic of Selection and Transformation

Every observation:

  • Selects from potential (what will become actual),

  • And transforms potential (what remains to be actualised).

This is a temporal dialectic, aligned with our view of time as the unfolding of processes.

In quantum terms:

  • The act of observation restructures the wavefunction of the larger system — not retroactively, but prospectively.

In semiotic terms:

  • A spoken clause alters the structure of what may coherently follow in the discourse.

In both:

The observer does not reveal what is, but contributes to the unfolding of what may become.


🧭 Summary: The Observer in Relational Ontology

Classical ViewRelational Ontology View
Observer causes collapseObserver actualises potential into instance
Consciousness triggers changeConsciousness construes actualised meaning
Observation reveals propertiesObservation selects and transforms relational potential
Observer is detachedObserver is a situated, embodied field of relational systems
Collapse is physicalCollapse is material actualisation, framed by semiotic systems

02 July 2025

Music in Relational Ontology: Sound, Value, and the Unfolding of Consciousness

1 Music as Social Phenomena: A Relational Model

Music moves us. It brings tears, delight, energy, or calm. But what exactly is it that moves us? This series offers a model of music grounded in relational ontology — one that begins not with what music means, but with what music does.

Music as Material and Social

Music is not a message. It is not a symbolic system that encodes and transmits meaning between minds. Rather, it is a material phenomenon — a pattern of sound — that functions socially by activating values in others. A music maker generates sound, and that sound has the potential to resonate within a listener’s consciousness, selecting from that listener’s system of perceptual categorisations and affective dispositions.

In these terms, music is not semiotic, because it does not rely on the symbolic abstraction of meaning. But it is social, because it acts upon systems of value within social bodies — like laughter, birdsong, or the colours of a peacock’s tail.

Relational Ontology: Sound in Context

In the model developed here, we take seriously the implications of a relational ontology: nothing exists in isolation, and no phenomenon is defined independently of the relations in which it participates. Sounds are not just events in physical space. They are phenomena — not in the sense of universal percepts, but as instances of potential actualised in and through relations. These relations include the listener’s body, memory, attention, and social and cultural context.

Time, too, is understood relationally: not as a container or a measure, but as the unfolding of processes. Sound unfolds in time, and so does consciousness. Music arises when these unfoldings come into resonance — when the movement of sound selects a movement of value in the listener.

Music Maker and Music Listener

A key distinction in this model is between the music maker and the music listener.

  • The music maker instantiates material potential: sound patterns in time.

  • The music listener actualises value: a response of feeling, attention, and perhaps memory.

This is not a communication between minds, but an encounter between phenomena and consciousness. The social function of music lies in its power to recruit shared systems of value — just as the scent of ripened fruit might draw animals, or a ritual chant might synchronise a group.

From Sound to Social Force

This approach allows us to understand music not as a symbolic message to be interpreted, but as a social force that acts through its capacity to resonate. A piece of music can stir a crowd, offer solace, coordinate movement, or bind people together. But it does this not by conveying meanings, but by selecting and activating values in those who listen.

This distinction is crucial. The value awakened in the listener is not put there by the music. Rather, the music selects it from a system already formed through embodied experience and social life.


In Part 2, we will turn more closely to the materiality of sound itself — how physical patterns of vibration participate in the unfolding of processes, and how these are taken up within the body of the listener.


2 The Sound of Process: Materiality, Time, and Resonance

If music is not a symbolic message but a material phenomenon that functions socially, then what kind of material phenomenon is it? What kind of matter is sound? And how does this matter come to matter — how does it exert social force?

To answer these questions, we turn to sound as processual materiality: something that unfolds through time and in relation.

Sound as Unfolding

In a relational ontology, time is not a container in which things happen. Time is the unfolding of processes. A sound does not occur in time; it is time — the time of its unfolding. This makes sound a particularly vivid example of what it means for a phenomenon to exist as relation.

A single tone is not an object but a movement of air. A rhythm is not a set of points in time but a patterned trajectory. Harmony, timbre, phrasing — all are forms of unfolding, inseparable from the processes that actualise them in material and perceptual space.

When we say that music “unfolds in time,” we are describing a relational process: sound and consciousness co-arising, each affecting the other.

From Vibration to Value

Sound begins as vibration — compressions and rarefactions of air. But its social function begins only when those vibrations are taken up in a body — when a listening body hears not only frequencies, but qualities. A sound is not merely detected; it is felt. This feeling is shaped by the body’s histories, habits, and perceptual structures — many of which are shared across individuals, cultures, or species.

This makes music a phenomenon that acts through resonance: the matching of movement in one domain (sound) with movement in another (consciousness). Resonance is not mere mimicry. It is relational selection: a process in which the unfolding of sound brings forth — activates — a corresponding unfolding of affect, attention, or action in the listener.

This is how music begins to function socially. Not through meaning, but through value: by selecting what matters from a body’s system of dispositions.

No Symbols, No Codes

There are no messages in music. There are no codes to be deciphered. What there is, instead, is a shared field of attunement. The listener is not interpreting the music; they are responding to it — through the actualisation of patterned affect.

This patterning does not require shared symbols, but it often recruits shared histories. A genre, a style, a groove — these are not semiotic systems, but sedimented forms of valueful relation. They shape what kinds of resonance are possible. They make social coordination and collective affect possible.


In Part 3, we explore how these shared resonances give rise to musical ecologies — distributed systems of sound, value, and social relation that link music makers and listeners in a common unfolding.


3 Shared Soundworlds: Musical Ecologies and Social Bodies

If music is a material phenomenon that functions socially by activating values in listeners, then its social power lies not in communication, but in co-ordination. Not in saying something, but in sounding with others.

In this post, we explore how music gives rise to musical ecologies — distributed networks of relations among bodies, sounds, values, and histories. These ecologies link music makers and music listeners in overlapping fields of attunement.

From Individual Bodies to Social Bodies

When a listener hears music, they are not merely decoding structure; they are enacting a bodily response to patterned sound. This response is shaped by evolutionary dispositions, cultural practices, and individual history — all of which reside not only in the brain, but in the whole body as a social, biological, and physical system.

Music resonates with this bodily system. But because bodies are never simply individual — they are born, shaped, and sustained through social relation — the affective resonance of music draws listeners into shared experience. When this happens, the body of the listener becomes part of a social body, even if no words are exchanged.

A crowd dancing, a choir singing, a mother humming to her child: these are not symbolic transactions. They are mutual enactments of patterned resonance — what we might call valueful synchrony.

Ecologies of Sound and Value

These resonant synchronies do not emerge from nowhere. They depend on shared conditions: cultural practices, acoustic environments, habits of attention, and historical repertoires of feeling. Together, these form musical ecologies — patterned arrangements of material and social potential that support the emergence of resonance.

Such ecologies are not reducible to music makers or music listeners. They are relational fields in which music happens — not as an object, but as an event of unfolding relation.

And they are never static. As music makers generate sound — instantiating particular material forms — and as listeners respond — actualising particular affective patterns — the ecology shifts. New resonances are formed, new values are selected. The ecology evolves.

Music as Social Force

Because music unfolds in relation, it can bring into being new social possibilities. It can recruit attention, shape collective movement, generate belonging, and mobilise affect. It does this not by representing a shared world, but by co-producing one — through the coordinated resonance of bodies in time.

In this sense, music does not describe a world. It instantiates one. It draws together music maker and music listener into a shared soundworld — a momentary, material, social constellation.


In Part 4, we explore how this resonance is not only social, but emotional — how music moves us by actualising affective potential in patterned and powerful ways.


4 Feeling With: Affective Resonance and Emotional Force

In previous posts, we described music as a material phenomenon that functions socially by activating values in listeners. This post turns to the affective dimension of that activation: how music feels.

We propose that music’s force lies not in what it means, but in what it moves — in how it resonates with affective patterns of value. Music does not represent emotion; it actualises emotional potential in patterned and relational ways.

The Feeling of Form

When a listener hears music, they encounter changes in pitch, rhythm, loudness, texture, and timbre. These are not just acoustic features; they are perceptual forces that the body registers as tensions, releases, intensities, and reliefs.

These patterned forces map onto — or better, activate — bodily capacities for feeling. Rising pitch may activate anticipatory tension. A sudden silence may evoke surprise. Repetition may comfort; dissonance may disturb. These effects are not symbolic. They are affective responses to material form.

But these responses are not fixed. They are shaped by cultural, developmental, and situational factors. The same sound may elicit different feelings in different contexts. Still, in all cases, the emotional response is actualised from the listener’s own affective potential, triggered by the form of the music, in relation.

Emotional Patterning Without Emotional Content

Music often feels expressive — joyful, mournful, agitated, serene. Yet music does not express these states in the way a person might verbally articulate emotion. It does not refer to emotion. Instead, it produces affective resonances that align with emotional experience.

This is an important distinction. Music does not contain emotion, nor does it communicate it from music maker to music listener. Rather, it brings about patterns of feeling that can be co-experienced across listeners. This shared resonance allows listeners to feel with others — even when listening alone.

In this sense, music’s emotional power lies in its capacity to coordinate affect across time and bodies — not to label or describe emotion, but to synchronise it.

Force Without Message

Music thus exerts emotional force without message. It does not need to “say” anything to move us. Its power lies in the dynamics of unfolding — of tension and release, repetition and variation, continuation and rupture — which our bodies experience as emotional events.

These affective dynamics unfold in time, not as a ticking clock, but as processual time: the lived time of shifting states and relational change. Music resonates with this temporality, drawing listeners into patterns of affective unfolding that are as much embodied as they are auditory.


In Part 5, we turn directly to the question of meaning. If music is so powerful, why does it not count as a semiotic system? What kind of significance does it carry, and how should we understand that significance in relation to meaning?


5 Significance Without Symbol: Why Music Isn’t a Language

Music is often said to be a “language,” or to “communicate,” or to “express meaning.” These metaphors are widespread and intuitively appealing — and yet, they can obscure more than they reveal. If we’re to understand how music functions in our relational model, we need to be precise: music is not a semiotic system. It does not create or convey meaning by symbolic means. Its power lies elsewhere.

In a semiotic system like language, meaning is structured paradigmatically. Speakers make choices from meaning systems — for instance, choosing the word cat instead of dog, or jump instead of crawl — and those choices are what make the expression meaningful. The paradigmatic axis is central to how meaning is organised and interpreted: the value of any given word depends on the range of alternatives that could have been chosen instead.

In music, there are certainly choices — choices of pitch, rhythm, timbre, tempo, texture, and more. These are often richly structured, both culturally and historically. But they are not choices in meaning. They are not symbolic selections that stand in opposition to other meanings. Rather, they are material selections: choices of sound, not choices of signification. A composer might choose to resolve a phrase with a major triad rather than a suspended fourth, but that choice does not produce a different meaning in the linguistic sense — it produces a different sonic effect that will resonate differently with listeners.

This is an important distinction. While music has paradigmatic choices in its material resources — selections from a repertoire of available sounds — it does not have paradigmatic choices in systems of symbolic meaning. These choices affect how the sounds are experienced, but not what they mean, because they don’t mean anything symbolically. Music is not an underdetermined form of language; it is a different kind of system altogether.

The effects of music — its sense of significance, its emotional resonance, its social force — arise not from symbolic content but from the relational interplay between the material phenomena produced by the music maker and the perceptual value systems activated in the music listener. The process is dynamic, embodied, and affective, but not semiotic. The listener doesn’t interpret a message; they participate in an unfolding of sound that resonates with the unfolding of their own consciousness.

In that sense, music is not meaningful, but it is significant. It brings things to matter. It shapes how bodies feel, how time flows, how values take form — not through messages, but through presence, rhythm, energy, and movement. And that, in our relational model, is more than enough.


In our final post, we explore the implications of this model for identity and memory. If music doesn’t mean, how does it come to matter so deeply to the self?


6 Echoes of the Self: Music, Memory, and Individuation

Music stays with us. A childhood lullaby, a song from a first dance, an anthem of protest — such sounds are etched into experience with uncanny vividness. If music does not mean, how does it come to matter so much to the self?

This final post considers how music contributes to individuation: the development of a unique, situated consciousness within a social field. Without being semiotic, music still participates in shaping identity, memory, and the unfolding of the self.

Music as an Attractor in the Flow of Time

In our relational ontology, time is not a container, but the unfolding of processes. Consciousness is one such process. It does not sit behind experience but is shaped through it.

Music, too, unfolds in time. But more than that, it provides attractors for consciousness — recurring structures of sound that invite us to attend, entrain, and return. The listener’s own unfolding becomes rhythmically and emotionally co-organised with the unfolding of the music.

Over time, such co-unfoldings become part of the history of the self. They anchor moments of intensity, episodes of relational meaning, or shifts in our sense of what matters.

Memory Without Meaning

Because music is not semiotic, it does not carry memories as messages. It carries them as resonance.

A few bars of melody may trigger embodied responses, emotional surges, or sudden recollection. These are not acts of interpretation, but of activation: the re-emergence of prior value-laden experience prompted by similar sonic contours.

This is memory without representation. Music does not remind us by saying “remember,” but by feeling us back into an earlier configuration of self-in-world.

Music and the Social Shaping of the Self

Individuation is not isolation. We become ourselves through our position within social systems of value. Music plays a central role in this, not because it expresses who we are, but because it selects what we respond to.

Tastes, scenes, and subcultures — all structured by musical value — contribute to the formation of identity. We hear ourselves through others' sounds, and we find affinity with others who resonate to the same patterns. Music draws boundaries not by expressing meanings but by activating shared valuations.

In this way, music contributes not to the symbolic construction of the self, but to the social activation of the self as a value-sensitive, relational body.


Conclusion

We have argued throughout this series that music is not a semiotic system. It does not construe the world symbolically, but instead unfolds as phenomena that activate patterns of social value in listeners.

This is not a lesser role. On the contrary, music’s capacity to shape attention, affect, memory, and identity — all without message or meaning — reveals a powerful domain of social functionality beyond semiosis.

Music does not speak. It does not say. It resonates. And in doing so, it helps shape the rhythms of living, the pulse of community, and the echoing self.


Coda — Listening Again: A Reflection on Music, Consciousness, and Social Value

This series has offered a view of music grounded not in message but in resonance — not in meaning, but in value. We’ve proposed a model in which the music maker instantiates material phenomena — patterns of sound — and the music listener, through embodied perception and shared social experience, values them. These phenomena do not express the inner life of the maker in symbolic terms, but they resonate with the listener’s own unfolding of consciousness, selecting from perceptual systems shaped by biology, culture, and history. It is through this resonance that music functions socially.

Throughout, we’ve avoided the temptation to classify music as a semiotic system, resisting the pressure to read music as if it were language. Instead, we’ve treated it as a material phenomenon within a social ecology, whose functioning is better understood in terms of value rather than meaning. The distinction is subtle but crucial. To call music meaningful risks importing assumptions of symbolic reference. To call it valuable foregrounds its role in selecting and reinforcing perceptual preferences, emotional dispositions, and social attunements.

In this way, we have been careful to preserve the full dimensionality of a relational ontology. Time, in this view, is not a backdrop for musical events, but the very dimension in which they unfold — and in which listening unfolds, too. Music and consciousness meet in time, process to process. Their resonance is not metaphorical. It is structural.

There are, of course, limits to any model. Music exceeds classification; it surprises us, shapes us, and follows us into memory. But the value of a model lies not in its closure, but in its capacity to guide new attention. If this one helps us listen more deeply — not only to music, but to how we relate, how we feel, how we attune to one another — then it has done enough.

And if, in the background, you hear the echo of a soundworld not yet named — a value still unfolding — then the model has done more than enough. It has begun to listen back.